“The Private Investigator”

Flash fiction by Nancy Stohlman

I walked into his office and closed the door. There were piles of papers everywhere and a deer head hanging on the wall.

What can I do for you? he asked.

Well, I just don’t know what I’m doing half the time anymore, I said. I think it would be great if you could keep an eye on me.

Sure, he said. Is someone threatening you?3.21-PI

No, nothing like that. It’s just me. I can’t trust myself.

Any clues or suspicions?

No … but the whole thing is pretty suspicious.

He pats my hand. You’ve done the right thing, he says. Usually if you suspect something to be true, it is.

I left his office feeling much better. Almost immediately the eyes were upon me—cars that followed a bit too close and too long, people watching me from across the street. At home a red light blinked between the books on my bookshelf.

A week later I returned to his office. Well, we have news to report, he says. Are you ready?

Yes, I nodded, sitting down.

The first picture was my car parked in front of the post office. If you’ll notice, he says, circling areas of the photo, this is a no parking zone and the sign is clearly displayed. The subject arrived at 3:14 and parked for 23 minutes, in blatant violation.

I nodded, didn’t say anything as he handed me the photo.

During the car ride home, subject picked her nose and then, after looking around, consumed it. At 5:17 subject arrived home, drew all the blinds, and proceeded to watch XXX rated videos for 17 minutes, the final one, 80-year-old grandpa does his nurse, commencing in what we presume was an orgasm.

Subject, after watching said video, stared at the computer for one hour and forty-six minutes without pants on. The phone rang on three different occasions and the subject ignored the calls without even checking the caller ID.

Subject smoked marijuana at 9:16 and then took a bath while drinking an airplane-sized bottle of cinnamon flavored whiskey. During the bath, subject appeared to have a conversation with no one that lasted for 11 minutes.

At 11:34, subject got into bed and read a book until 12:13, when she turned off the lamp to presumably sleep. Then the most curious of all: at 12:21, just 8 minutes later, the subject got out of bed and laid directly in the middle of a moonbeam shining through the skylight. Subject cried until 12:31.

After that, our man couldn’t see anything else. He handed the stack of pictures to me.

I sighed. I’m not completely surprised.

If it makes you feel any better, I see this kind of thing all the time.

I guess it’s just better to know for sure.

I’m sorry to be the one to have to tell you, he added, handing me a tissue.

 Originally published in Atticus Review. Read original here.

Finish That Manuscript (And Get it Out Into The World): A Virtual Workshop

Do you have a manuscript you’ve been sitting on forever? Are you stuck in the writing phase or in the revision process? Or have you “finished” but not gotten the response you wanted out in the world?

In this workshop on finishing we will explore:
• What’s keeping you from finishing?
• Are your blocks telling you something about your manuscript?
• How to fall back in love with your work and your vision
• Allowing your manuscript to transform
• Publication—is your manuscript ready to send into the world?
• The different stages of “finishing” a manuscript
• Self-promotion—are you afraid of rejection? (You’re not alone.)
• Finding the support you need to take the next steps

writers-blockIn this 4-week virtual workshop I’ll give you the deadlines you might need, help you structure your writing time into your life, help you transition more easily between creation and revision, and help you become your own best editor. Whether you are planning to submit or self publish, you’ll learn writing tips, editorial and publication advice, how to excerpt and query, and even when to let a manuscript go. And most importantly, you’ll finally rescue your work from the desk drawer and give yourself the satisfaction of completion.

The workshop format will include weekly online instruction, telephone check-ins, and professional line edits (limited). Both fiction and nonfiction manuscripts are welcome.

Begins July 1. For late registration or a free info call contact me ASAP at nancystohlman@gmail.com.

Let’s do it.

Finish That Manuscript: Free Workshop Preview Tuesday, June 25th

Summer Project #1: Finish That Manuscript

Each book we write brings us closer to understanding how to write a book. What phase of the finishing process are you in? And…what’s it costing you to not finish?

Three Types of “Finishing”

1. Crossing the Finish Line. In this phase, you’re creating, allowing, and writing yourself to the finish line of that first draft, where you can write The End and give yourself that well deserved glass of port.

In this phase you need the support, motivation, and commitment to get to the end. A first draft is like a lump of clay—it doesn’t have to be perfect, but it does need to be complete before you can start shaping it into the grand vessel it will become.

2. Alligator Wrestling. In this phase you’ve finished a first draft and now you’re in the revision—re-visioning—process. Re-vision. Seeing again. Sometimes it’s hard to see your manuscript with fresh eyes—like looking for your sunglasses when they’re on your head. Yet the true writing magic usually happens in revisions.

In this phase you need new ways of seeing your manuscript differently, both in pieces and as a whole, as well as identifying your strengths and weaknesses as a writer and inviting the potent potential of unexpected possibilities into your work.

3. Becoming a Player. In this phase you and your manuscript prepare to enter the public arena, and the “finishing” has just as much to do with you as a professional. This is the point where we usually long for an agent to swoop in and do all the uncomfortable work of promoting ourselves, but the catch here is that if we want to be taken seriously, we have to start playing seriously.

In this phase you need help with promotional and professional materials including bios, queries, how and why to excerpt, and learning how to avoid the mistakes of looking like an amateur—regardless of your publishing goals.

*Tuesday, June 25th at 7 pm MST, join me for a 30-min FREE WORKSHOP PREVIEW.

Contact me for registration information at nancystohlman@gmail.com

 

Friends vs. Fans: What’s the Difference?

Fans of German rock band Tokio Hotel scream during a concert in LisbonA friend loves you. A fan loves your work.

It’s as simple as that.

Now if you’re lucky you will have both: friends who are also big fans of your work, and fans who become friends. But the distinction is important, and as artists, I believe our level of success is tied to how well we understand the difference.

And I’m not just talking to writers, here. I’m talking to all artists. For example, when Kinky Mink was in its infancy, we relied heavily on our friends to fill our audiences. This is normal—fans don’t just find you because you make a Facebook page after all, they have to be cultivated. And you do this by starting wherever you are.

But it’s a bit like your mother telling you how talented your death metal band is, or how your novel/sculpture/painting/play is brilliant. You’re always left with the lingering question: Does she love me or my work?

At some point an artist has to cut the umbilical cord and find his or her true fans. And I hate to break it to you, but these may or may not be your friends.

Don’t believe me?

Writers: How many of your friends bought your book but didn’t read it? Or read it but didn’t have much to say?

That’s because they are your friends, not your fans. They love you, not your work.

Think about it from their point of view: Imagine I have a friend who’s an amazing country singer. Well, I don’t like country music. So while I may genuinely wish her all the success in the world, and I may even go to some of her shows to show my support, I will never be a true country music fan. She may be brilliant, and I may be proud of her, but what she ultimately needs is a room full of country music fans, not a room full of others like me who would never attend if our friend wasn’t playing.

This is where many of us go wrong. During those early Kinky Mink shows when I was still relying heavily on friends, I would be hurt when certain friends wouldn’t come (and here’s a big loving shout out to all those who did!). Now when Kinky Mink plays I cast a much wider net, cultivating those who resonate with our music, not just warm bodies to fill the seats. This is true of literary readings, gallery showings, film screenings, and every other kind of event where an audience–live or not–is needed.

The truth is if we can’t expand our audience/readership/patrons beyond those we have a personal relationship with, then we aren’t reaching our full potential as artists. If you don’t find your fans, then you will be forced to make 10,000 new friends if you want to sell out an arena or a first-run of your book! Whew!

And this is why self-promotion is so important. If you continue to rely solely on your friends, you are doing everyone a disservice: 1. You are keeping yourself from finding your fans, and 2. You are keeping them from finding your work.

A true fan will resonate with your work whether they ever meet you or not. So thank your friends for holding down the fort while you got started (thanks!) and commit to finding your true fans.

And for every person who is (or becomes) both, consider yourself doubly blessed.