Summer Workshops: Registration Open!

Friends! It’s that time of year again! These will be the only “live” (asynchronous) workshops I will be offering until January 2022–I’m looking forward to working with everyone this summer!

Flash Flood: Write a Flash Novel

May 31-June 11, 2021 (1 left)

July 19-July 30 (3 left)

REGISTRATION OPEN

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Do you have a large, book-length idea that you’ve been wanting to bring to fruition? Do you want to end 2020 with your flash novel in progress? Do you love the intensity of FlashNano or NaNoWrimo? Then get ready: In 10 days we will create a literal “flash flood” and you will leave the workshop with the bones (at least) of a flash novel.

What’s a flash novel? With the scope and complexity of a novel, and the size and ingenuity of flash fiction, the flash novel is a new type of book, a breakout genre that can deliver a sophisticated reading experience in a compact space. In this online workshop will envision, draft, collage and create the momentum for that large-scale idea you have been wanting to tackle.

Participants should come with a basic understanding of flash fiction and have ideas for a book-length project.

NOTE: This class (taken this summer or previously) is the pre-requisite for the Flash Novel Mastermind


Going Short: Writing Beautiful Flash Fiction 

June 14-18, 2021 (5 left)

August 2-6, 2021 (FULL)

REGISTRATION OPEN

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This 5-day generative class will take a deeper dive into the concepts from Going Short to examine the fundamentals of flash, try a variety of approaches to the compressed narrative, discuss what makes successful flash, and generate your own original flash pieces.

This course is open to writers with all levels of experience in the form, whether you are brand new to flash fiction, a writer coming from other genres, or a veteran flasher looking for a dose of inspiration and some writing camaraderie.

Questions? Feel free to contact me at nancystohlman@gmail.com


The 12-Week Flash Novel Mastermind

Returning in September, 2021!

Get First Access to all courses

From Past Participants:

“Nancy’s class was a delight to take. Her incorporation of multimedia into each day’s approach motivated me on new levels, and her prompts opened doors to reimagining my stories in ways I had never before considered. The focus is on creation, not critique, which offered a comfort in that foggy, not-knowing phase of writing, something I’ve long struggled to find. This class was the gentle push I needed to dive head first into my ideas and let them carry me for while, before taking the reins. Thank you!”~Meagan Johanson

“Nancy Stohlman’s Flash Novel workshop was so helpful and so much fun I took it twice. Nancy’s wonderful course materials—readings, commentaries, exercises, critiques—arrive each morning like a magical gift to unwrap with the day’s first coffee. Now I’m hoping she’ll offer a Flash Novel Next Steps workshop!” ~ Sally Reno

“Nancy will help you to become a better writer—while having an awesome time. The best thing about working with her is that it doesn’t feel like work; the atmosphere is positive, generative, encouraging. I took her “Write a Flash Novel” class. These days I’ve become a slower, finicky writer, but her class pushed me out of my finickiness and into producing work. I wrote the hell out of those two weeks. Every day there was an inspiring prompt and lesson. It coaxed me out of dull perfectionism and allowed me to make a mess (a requisite for any artist).” ~Leonora Desar

“Nancy is a gifted teacher and coach, striking just the right balance between inspiration and discipline. In her Flash Novel workshop, I learned how to let go of preconceived ideas about my material and explore its larger possibilities for characters, structure, and plot. By the end of the class, I had lots of great ideas and a road map for getting them on the page.” ~Pedro Ponce

“The day I signed up for Nancy Stohlman’s “Flash Flood: Write a Flash Novel” workshop, I entered with five underdeveloped ideas. By the workshops conclusion, one of these ideas blossomed into a cast of characters with personalized desires, humor encompassed in varying flash forms, and previews of my fellow writers flash novels in-progress. This workshop enables writers to construct a table of contents, toy with characters (new and old), and exchange ideas on how to proceed in writing their novel in flash once the workshop ends.” ~K.B. Carle

“Nancy Stohlman’s Novel-in-Flash Workshop was a thoroughly rewarding experience. Nancy was an encouraging and passionate instructor. She fostered a supportive community of writers. Her knowledge of flash fiction helped me move out of my comfort zone and try out different techniques I would otherwise have been afraid of trying.”~Candace Hartsuyker

“Nancy Stohlman’s Novella in Flash Workshop moved my writing ahead in a direction I never imagined.  Before it began, I feared I’d signed up for more than I could handle. But, in a ‘flash’, Nancy, a generous person, with an infectious creative spirit assuaged those worries. From the first workshop day to the last I received encouragement and insightful responses to my writing.” ~Jo Goren

“Nancy’s class was a delight to take. Her incorporation of multimedia into each day’s approach motivated me on new levels, and her prompts opened doors to reimagining my stories in ways I had never before considered. The focus is on creation, not critique, which offered a comfort in that foggy, not-knowing phase of writing, something I’ve long struggled to find. This class was the gentle push I needed to dive head first into my ideas and let them carry me for while, before taking the reins. Thank you!”~Meagan Johanson

During these times of uncertainty and unknowing, Nancy Stohlman opens up the writer’s mind to embrace uncertainty and unknowing as a source of creativity and discovery for our potential as writers. Her workshops provide a safe environment to let things go and see what surprises return. ~Annie Bien

The Flash Novel workshop with Nancy Stohlman was an amazing immersive experience. I looked forward to each morning, wondering what she would cook up next! Her prompts worked miracles, opening my story, helping to push it out, guiding the work to the next place it needed to go. Im so grateful for her wise suggestions, her boundless supportand for the tools to maintain a daily writing practice to continue my project after the workshop was over. ~Jean Wolfersteig

Flash Flood: Writing the Flash Novel was the most inspiring and transformative writing workshop I have ever experienced, and I’ve participated in many good ones over the decades!  The structure was brilliant, including a craft lesson each morning replete with sample readings, reflective observations from Nancy, and a multi-layered prompt.  The flexibility allowed for each writer to respond in the way that was most meaningful for their project and where they were in their process. The small class size and the general good will of the writers created a warm and supportive sense of community from the first introductions. Nancy’s personalized and thoughtful comments arrived daily in response to each person’s work. I learned a wealth of new strategies that will continue to serve my writing for years to come.  I also gained valuable insight into areas where I needed to push myself to explore new directions and approaches.  I wrapped up this workshop with a solid collection of new work and a strong foundation for moving forward.  Flash Flood was a game changer for my writing and I will be forever grateful for having had the opportunity to work with Nancy! ~Katie Maxim

Ten Flash Fiction Tips for the Flash Curious on Creative Indie

Are you flash curious?

by Nancy Stohlman

Read the full article on Creative Indie

An excerpt:

There’s a revolution happening in literature: writers are going short.

If you’ve been paying attention, you’ve already heard of flash fiction, those tiny, compressed stories flourishing in the literary underground. Writers and readers are falling in love with the form and discovering something delightful and poignant in these small spaces.

Originally called sudden fiction, microfiction, nanofiction, or short shorts, flash fictions are ultra-compressed stories following only two rules: they must be under 1,000 words and they must tell a story. The result is a miniature narrative that creates an entire story experience in just a few well-placed brushstrokes. And the stories, far from trivial or lazy, have their finger on a new kind of urgency.Carving away the excess, flash fiction puts the short story through a literary dehydrator, leaving the meat without the fat.

This is an exciting time to be a flash fiction writer.In my book, Going Short: An Invitation to Flash Fiction, I explore how flash fiction has successfully broken the old story out of its skin and transformed it, cultivating not only a new kind of story but also a new kind of writer.  

So, whether you are flash curious or a flash veteran, here are 10 of my best tips as you embark on (or continue) your flash fiction journey.

1. Become a beginner. This goes for any new artistic endeavor, but if you’re a poet, or a novelist, or even new to writing, embrace the glory of being a beginner. There will be an adjustment period, and that’s good! It’s so much easier to take risks and lower expectations. And when expectations are lowered, the real beginner’s magic can slip through the back door. Allow yourself the possibility of creative play—and creative discoveries.

2. Respect flash fiction as its own form. Flash fiction is not the bunny slope to something harder. It is not easier or less powerful or less profound just because it’s small. Bigger doesn’t always mean better. The bonsai tree is a marvel in miniature, requiring an entirely different set of skills. And just as learning from other genres can strengthen your existing work, learning from flash fiction will make you a better writer, regardless of your preferred genre.

3. Just because it’s short doesn’t mean it’s flash fiction. A lot of things are short—vignettes, character sketches, prose poetry. These may overlap with flash fiction, but they aren’t interchangeable. Prose poetry is a poem using sentences. Flash fiction is a compressed story with a narrative arc and movement. When in doubt, see rule #2

4. Don’t try to butcher a longer piece and pass it off as flash fiction. You might be able to pull this off one or twice (I did), but it’s a little bit like adding line breaks to a story and calling it poetry. Ultimately you want to start seeing the world through a flash fiction lens, noticing the potential for stories everywhere and honing your radar for great flash material.

5. The word limit matters. At first you might feel like you are battling the word limit. Eventually you will realize the word limit is the necessary container that allows the magic to happen. Without constraints, the story can expands in all directions like an amoeba. Strategically pushing against the constraints, the story realizes itself as flash fiction. Once you embrace the constraint as a vital part of the process, it won’t be an issue.

KEEP READING HERE

The Seasons of the Creative Process

I’ve said for years there are few things I trust more than the creative process. The sun rises, the sun sets, the tides go in and out, and the creative process ebbs and flows…and ebbs and flows again.

I share this now, at the dawn of spring, because it can be tempting to take a snapshot of the creative process rather than seeing it as a continuum. When we are deep in winter here in Colorado, I take solace knowing that the Earth inevitably turns, and winter will soon be followed by spring. And conversely, when I am deep in the luxury of summer, I try to remember that it, too, will not last. 

It can be helpful, if you plan to have a long, creative life, to view your process like this. To roll with the changing seasons of our art. Periods of furious creation are followed by a slowing down as we recuperate. And those fallow periods are followed by new sparks and new creative discoveries…if we remain patient and trust the process. The key in any season is to embrace that cycles come and go. When we are in the creative mania stages, it can be hard to remember winter is coming. And when we are fallow, we may not recognize the new seeds germinating.

The more times you go through this process, the more you will start to trust that every season will retreat…and eventually return.

This cyclical nature is especially important when you are feeling creative FOMO (fear of missing out) or artistic jealousy. Your creativity is turning, always, but so is everyone else’s…on different cycles. Someone might be doing a lot of publishing outwardly, but behind the scenes they’re fallow. Someone else may feel insecure that they haven’t published lately, but they’re writing a masterpiece behind the scenes. 

Bottom line: It’s counterproductive to compare July to January. Instead, wherever you are in your creative process, remember you are turning and spinning, facing and retreating from the sun over and over. 

If you wait long enough, it will always be summer. 

To your beautiful, flowering creativity,

xoxoxo

Nancy

P.S. Speaking of seasons…are you ready for a flash fiction retreat in Iceland’s darkness? Early access to registration opens tomorrow!

The Green-Eyed Monster: Jealousy in the Time of Quarantine: Nancy Stohlman guests on Jane Friedman

Read full article on Jane Friedman.com

An excerpt:

One good thing about a year’s worth of quarantine? A lot less FOMO. We’re less afraid of missing out because everyone is missing out. We aren’t worried about being left off the guest list because there is no guest list. And for many of us who were trying to be everything to everyone, this has been a huge relief.

But…now that our attention and focus has been narrowed even more tightly to the screen, we might be noticing a different kind of FOMO creeping up. We’re maybe noticing there are other writers doing a lot during quarantine: publishing or producing with a seemingly endless supply of creative juice, while the project you were working on was cancelled, or postponed, or just feels irrelevant now in this plague world. Maybe all your writer friends seem inspired and you’re stuck. And you feel that nasty green-eyed monster putting his hand on his hips again.

I’m going to go out on a limb and suggest that, despite our very best efforts, artistic jealousy affects us all at one time or another. If you’ve never felt the green monster, then you’re a better person than me. Mind you, I genuinely like my colleagues and I want them all to succeed. Most days I subscribe to the “we all win when we all win” mentality, and I truly believe it’s the only way to have a long, rewarding artistic life.

But… no matter who you are, there is probably somebody out there who is kicking more butt than you, and it seems to be happening effortlessly.

What to do about it???

KEEP READING HERE