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12 Super Short Stories You Can Read In A Flash

Posted: 03/16/2015 8:27 am EDT Updated: 03/16/2015 1:59 pm EDT
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Amelia Gray, Lindsay Hunter and a handful of other recently buzzed-about novelists got their literary starts in shorter-form writing. No, not poetry — the more nebulous medium of flash fiction. Loosely defined as writings comprised of 1,000 words or less, flash fiction can include everything from slightly longer works to tweet-length stories. The one restriction? A work of flash fiction must have a narrative arc, otherwise it’s a mere observation or vignette.

Gray’s move from flash fiction writer to novelist was a difficult transition for the writer, who’s returned to shorter form in her latest collection, Gutshot: Stories. In an interview with Flavorwire, she explained that her flash fiction collection was “a multifarious but cohesive piece of work.” She added, “Sustaining a true narrative over the course of a novel was a unique challenge.”

Hunter described a similar struggle with novel-writing in an interview with The Believer: “I decided the only way I could write a novel was to sit down and write the way I knew how, which was to give myself a daily word count goal, and to treat each ‘chapter’ like a flash fiction piece.”

Of course, flash fiction shouldn’t be seen as a segue into novel-writing; some writers waffle between the mediums, whereas others stay devoted to producing quick, evocative pieces. We’ve collected 12 of our favorite recent pieces of flash fiction, both by established novelists and writers happy working solely within the shorter form:

“Out There” by Lindsay Hunter
Published by The Nervous Breakdown
First sentence: “People burn cars out there.”

“Robot Exclusion Protocol” by Paul Ford
Published by Ftrain
First sentence: “I took off my clothes and stepped into the shower to find another one sitting near the drain.”

“Charlie Loved the Circus” by Simon Sylvester
Published by The List
First sentence: “Charlie loved the circus.
Untitled by Deborah Levy
Published by The Guardian
First sentence: “I said, yes.”

“These Are the Fables” by Amelia Gray
Published by Recommended Reading
First sentence: “We were in the parking lot of Dunkin’ Donuts in Beaumont, TX when I told Kyle I was pregnant.”

“I’m Being Stalked By the Avon Lady” by Nancy Stohlman
Published by Cease, Cows
First sentence: “At first it wasn’t so bad.”
“Lady Gaga Considers the Shrimp Scampi” by Steve Almond
Published by New Flash Fiction
First sentence: “There were fifty thousand little monsters screaming for an encore, Spaniards, Germans, skinny little French boys, Italians making wet sounds with their tongues.”

“Huxleyed Into the Full Orwell” by Cory Doctorow
Published by Terraform
First sentence: “The First Amendment Area was a good 800 yards from the courthouse, an imposing cage of chicken-wire and dangling zip-cuffs.”

“The Lamp at the Turning” by E. Lily Yu
Published by Kenyon Review
First sentence: “For ten years the streetlamp on the corner of Cooyong and Boolee kept vigil with the other lamps along the road.”
“How to Sit” by Tyrese Coleman
Published by PANK
First sentence: “Grandma slapped my foot, uncrossing my legs.”

“The Solidarity of Fat Girls” by Courtney Sender
Published by American Short Fiction
First sentence: “It is your luck to be the brother of three fat girls.”

“Maybe We Should Get Tattoos and Other Possibilities for Happiness” by N. Michelle AuBuchon
Published by Hobart
First sentence: “I don’t know if my husband and I are on the way to church or a hangover.”

Flash Fiction Chronicles Book Review

by Andreé Robinson-Neal

Nancy Stohlman

Have you ever read something that made you feel the space of the characters, like what you’re reading isn’t about someone else—some fictional them—but a very real and present you? Nancy Stohlman’s The Vixen Scream takes you there, whether you want to go or not.

The room smells musty, like wet clothes were shoved and left to die in all the corners. (Death Row Hugger)

Stohlman offers a you a seat on a rickety coaster ride—not one of those break-neck affairs that rushes you from start to finish and leaves you unsure of what happened, but that one ride at the carnival you’ve always been afraid of because there are things in the dark that sneak up and grab you unawares. What do you say about falling in love with a homunculous of your boyfriend? If you’re Lazarus, do you long for Jesus or the tomb? What is the “regular life” of a Jehovah’s Witness like?

I’m not saying I’m proud of how it all went down. But maybe if those collection agencies hadn’t been calling me all the time. After avoiding another 800 number last Saturday morning, I looked over at you sleeping, lips pursed, eyelids fluttering, all mussed up like a baby koala, and I thought: there are plenty of people out there who would pay good money for that. (I Pawned My Boyfriend for $85)

vixen-cover-final

The prose is hauntingly beautiful, to the point you bite your lip because you know something is coming, but you don’t know what and the anticipation is killing you and then, there it is: the vixen, ehem, just had fox babies and let them run off. Of course it’s fantastic, unbelievable, impossible, but is it really? If you readThe Quickening, you’ll believe. Stohlman answers every question you’ve ever thought to yourself in the darkest night, including “what’s the cost of a broken heart?” and “what would a sculpture of my spite look like?”

There are tales that will make you laugh and then immediately look around in wonder, because it might not have been appropriate to giggle at such an experience. To wit:

One morning Mr. G woke up without his penis. It was just missing. There was no blood, no struggle. He tried to remember when he’d last seen it. Certainly he’d gone to the bathroom before bed? Yes, the unflushed toilet confirmed. (Missing: Reward)

The snickers are sure to continue as Mr. G looks for his lost appendage in the bedsheets, piles of clothes, and ultimately in the butter dish. There are moments that will make you wonder if you should stop and cry, or simply agree and keep reading. And just when you’ve gotten in the groove with the vixen and the fox, there are real fox statistics to make you think. Yes, Stohlman educates as well as entertains.

But there is an underlying something that adds a shiny brilliance to each piece. You want more, but the stories are so very complete. Of course you want to know what happened next to the magician’s assistant, but psychically, you already know. As you let out the breath you’ve been holding for a hundred-plus pages, you realize you’ve reached the end, and you want more. Find it atwww.nancystohlman.com.

____________

Andree-New

Andreé Robinson-Neal got bit by the writing bug back in the late 1970s while watching Rod Serling and reading Ray Bradbury—both of whom are everyday inspirations; although she has worked in education for more than a quarter-century, she has never been cured of her penchant for speculative fiction. Find some of her flash fiction at starvingartist.com. She writes under the name AR Neal, who will hopefully one day be identified as a famous NaNoWriMo participant.

Skylight Press Review: “A Few Strange New Hybridities in Literature”

Vixen ScreamThe Vixen Scream & Other Bible Stories by Nancy Stohlman
(Pure Slush Books)

As I have found out for myself, there are no limits to what a mixilating group of short stories can become. A veritable championer of Flash Fiction, Nancy Stohlman embarks upon a strange and irreverent series to situate the reader with death-row volunteers, stewardesses, Avon-lady stalkers, magicians and homunculi just for starters. There are some flashes to be sure but these stories aren’t mere formal reductions or glib plot encapsulations come about by editorial stripping. This is a strange and enticing grouping of vignettes where skeletal structure is ruled by omission or by the vague projections of causality. We traverse momentary realms from the surreal to the absurd to the mythopoetic, often propped up by illogical scaffolding or some labyrinthine state of limbo. There are hints of Kafka, Hoffman, Borges – even more contemporary types like Jonathan Carroll or Angela Carter perhaps. But among these twisted miniatures runs two seams that hint at some totalizing purpose; the first being a set of blasphemous biblical paraphrases and the second offering the on-going presence of the Red Fox. This is an odd and intriguing juxtaposition but the returning fox, although via unconventional treatments, seems to offer the same totemic reverence often found in Native American and Scandinavian myths. So often cast as the trickster, and here infiltrating a world of literary tricks, the presence, although tragic, is a grounding one.

Read whole article including other reviews from Skylight Press here