Writing By Hand: Too Much Work? Let me convince you…

Friends!

Thanks for joining me on virtual retreat last month as I scouted Spain (more on that soon!) and gathered with a small group of writers in southern France for an inspiring week of rest, rejuvenation, and radical creativity. And if you were following along, some very interesting discussions happened along the way, including foreign languages, beauty in decay, topless beaches (!) and one that I want to talk more about here: writing by hand. 

I’m not talking about writing by hand only to capture your inner chatter or to clear your mind or to know yourself. All things I highly recommend and consider a necessary part of a creative life. I’m talking about actual creative drafting. The actual idea. The first draft. By hand. 

I would not be exaggerating if I said 99% of my first drafts happen on paper. For me, the computer is for sculpting and editing, but the genesis of the idea is a delicate spark that happens in the quiet of the page, the intimacy of pen tip to paper. Like a first kiss that happens over and over and over each time the notebook opens.

(some of my notebook’s recent adventures)

In Going Short I talk about re-writing drafts from scratch when I’m searching for the right words or rhythm and I just can’t seem to “edit” myself there. But what I failed to mention is that I also do this by hand. Switching to the notebook, especially when stuck, can jar you back into the creative flow for many reasons including: 

Location independence. You can write anywhere—at the restaurant, under the backyard tree. On the park bench. At the DMV.  On the train. Even in bed—honestly many of my ideas come first thing in the morning while I’m in bed. Before my eyes have fully sharpened out of sleep, as coffee is just waking up my system, I find it easier to harness the dream world on a raft of paper and pen.

By hand. Handmade. We slow down when we write by hand. In the stillness we feel the pen and ink, the crinkle of pages, the loops of our own words unspooling across the white. It is a tactile experience that shifts the way our brain connects to syntax and activates a more intuitive part of the brain. I find that different sorts of ideas arrive in the notebook than to the screen, or at least a different version of those ideas, often already in conversation with each other. (I worked with a wonderful writer recently who “found” her character’s distinct voice when she moved to the written page.)

Evading the critic. When I write by hand my critic is less….critical. Since the work is not typed up and in TIMES NEW ROMAN, it feels more like play. And that’s the trick: if you can fool yourself into believing what you are writing (by hand) doesn’t count, then you relax. You start to have fun. You follow tangents. You get silly/messy/weird/beautiful….brilliant. You take creative risks that feel too intimidating on the official screen, in the official font. And in taking those risks…you often find your truth. You go deeper.

(As an interesting aside, when I’m journaling my handwriting is neat and lovely and legible. But when The Muse descends and I’m actually drafting the idea on the page my handwriting becomes wild, a gallop, a sprint—looping and furious, barely legible even to me. It’s almost as if two different hands, two different minds are at work.)

An organic second draft. Another wonderful thing happens when you write by hand: you eventually have to type the (good) stuff up. Therefore, what came out unhindered and unrestricted gets an organic first edit just in the typing-up process. (This is different than editing WHILE writing–which I never recommend. You are now sculpting. Second draft. Different process. Different hat.)

SO…

If you or your writing is feeling stuck, or you’re needing an inspiration boost, or the blue light of the screen or the ergonomic familiarity of your office chair feels lackluster—try walking away. Grab a notebook and go to bed. Or to the living room. Or to the porch swing. And yes, to the café or in the park. 

Take the question, or problem, or idea to the page like a devotion. Lay it on the altar of paper and pen and allow the answers to come through your hand.

Love,

Nancy

P.S. And if that wasn’t enough,SUMMER 2022 FLASH FICTION RETREATS will be opening soon with TWO exciting destinations (any guesses where?)
Sign up here for Notifications and First Access:

FlashNano 2021: It’s Our 10-Year Anniversary!

Can you believe we’ve been doing this FlashNano thing for 10 YEARS???

That’s A LOT of stories!

And A LOT of prompts!

And a lot of fun.

And many others have gotten on the November bandwagon, even dedicating the month of November to flash fiction in some journals.

Wow! All from a “silly” idea 10 years ago….

So, for the 10th year running, in solidarity with our NaNoWriMo brothers and sisters, join us again for a wild November of flash fiction. We are just ONE MONTH AWAY!

What’s FlashNano???

It’s the most wonderful time of the year!

Find out more and sign up for FREE here:

Traveling as a Writer: The Only Question You Need to Ask

You already know I love to travel. AND you probably know I interpret travel very loosely. Yes, I love sitting in a sidewalk café on a gorgeous sunny day with my notebook! (Yes, please!) But I also love driving alone across Nebraska, meditating on corn, clouds, and cows. I love to travel one town over and lock myself away for the weekend in a cheap hotel, diving deeply into my work (and you should try it if you never have!) Regardless of the destination, I’m always traveling as a writer. 

Not all travel is created equal for inspiration. What I’ve discovered is the best writing comes from travel that has a tiny bit of adventure—a little bit of the unknown mixed with a little mystery splashed with a little danger.

Not DANGER danger. Of course.

Just the danger of: I have no idea what to expect…and I’m going for it.

Maybe you’re traveling somewhere brand new. Maybe you’re traveling alone for the first time. Maybe you haven’t mapped out your itinerary and you’re going to “wing it” for a whole day (yes, do this!). Maybe you’re going spelunking or snorkeling or horseback riding along the central American coast (swoon!). Or maybe you’re spending the evening taking slow-motion videos of the summer carnival in your own home town.

No matter where you are you can always be an artist.

Back when I first fell in love with Hemingway, it was both his writing and his contagious curiosity about the world. His life wasan adventure!  Or at least it seemed that way. Whether he was in exotic Paris, Africa, or Cuba, or closer to home in Michigan or Idaho—it was all inspiration. It all ended up in his work. 

Influenced by Hem, I decided I would make it my goal to lead an interesting life. To say yes as much as possible. And over the decades this mindset has become second nature to me, a guiding principle in many of my life decisions. When I’m faced with possibilities, or difficulties, or uncertainties, I ask myself this very important question:

Will it make a good story?

Actually, this is a great question to ask all the time, whether you’re traveling or not.  But if you ask it while traveling specifically…you will begin to follow the road less taken. You will veer away from the crowds and down the quiet side streets…and into your next story.

Because new ideas come when we invite the unknown into our lives. They come from walking the dirt roads through local villages instead of taking the car, going to the wild beaches instead of the tourist hot spots.  They come from talking to a stranger in a strange city in a train station you will never see again.

When you travel as a writer, your heart intentionally open to revelation in all its many guises, you will be just as excited to soak up the muse whether you’re on a solo retreat or a family vacation, whether you’re in Hawaii or Omaha.

So, as you travel or consider traveling again, I invite you to travel as a writer. Whether you engage with your scheduled travel more creatively, make simple travel more inspiring, or decide to go on a future retreat with me (!) remember that as artists we are always on the clock.

And what a beautiful clock it is.


How to Travel as A Writer Wherever You Go

  1. Embrace Novelty: take risks. Eat the new food, walk the new street.
  2. Reflect on Normal: With distance, we can better see our regular lives. Away from our hometowns, we finally have perspective enough to write on what we take for granted.
  3. Carry a notebook. Writing in a notebook is also a fantastic companion when eating alone at a restaurant. (P.S.—try eating alone in a restaurant)
  4. Engage conversations with locals and strangers—real conversations. Meaningful and memorable ones.
  5. Take walks, ride bikes, and take bus/metro/train rides with no destination and no schedule. Public transportation is much more interesting. Walk whenever you can.
  6. Make art that doesn’t count. Carry a camera or a sketchpad (or a harmonica!). Engage that sense of play that comes from making art outside of your preferred genre.
  7. Remember your job: artists show us beauty and frame experiences—everything is inspiring if you want to see it that way.
  8. Create chunks of headspace to go deeper. Travel alone if you never have. (Yes, do this! More than half my travels are alone.)
  9. Make a point to see/engage with many kinds of art: museums, music, community culture (I recently went to a carnival and took photographs)
  10. Meet other writers: there is no better inspiration than surrounding yourself with other creatives.
  11. Learn some new words. Seriously. Learning a language is good for your brain, but as writers it reminds us of the plethora of new words out there.
  12. Put away the phone and step away from the internet. Look up and watch the real world go by in all its beautiful glory.

Happy Travels!

xoxo Nanc


Want to travel and write together in 2022?
New Retreat Opening Monday!

FRIENDS! Are you feeling ready to reconnect and recommit to your writing? To commune with your fellow artists again? Do you need a dose of adventure and a jolt of inspiration?

We’ve found just the place for you!

Kathy Fish and I will begin opening up our first flash fiction adventure of 2022 on Monday, July 26! These retreats sell out quickly so get first access below:

Photo by Lindsay Loucel on Unsplash

Yes, I’m interested! Put me on the list for information and first access!

“The Wacky, Weird, and Wonderful”–Zoom workshop fundraiser for Brilliant Flash Fiction

Virtual FUNDRAISING WORKSHOP WITH NANCY STOHLMAN

Saturday, JUNE 12, NOON MDT (Denver, CO, time)

Everyone attending the workshop will be eligible for a drawing to win one of 3 signed copies of Nancy Stohlman’s book, Going Short.

About the workshop:

“The Wacky, Weird, and Wonderful: Dazzling Narratives and Experimental Flash Fictions”

The constraints of flash fiction have ironically created a new sort of genre freedom, and flash fiction writers are embracing contortions that wouldn’t work in other forms: a motley circus of tightrope walkers and jugglers and trapeze artists plunging against their boundaries and defying narrative in breathtaking ways. In this one-hour workshop we’ll examine, discuss, and take bold risks with experimental narratives, attempting the kinds of literary acrobatics and daredevil antics that emerge when plots are forced to bend in small spaces.  

acrobats balance on Empire State Building, 1934

From Brilliant Flash Fiction: If you want to attend this workshop, please email bffnonprofit@gmail.com with WORKSHOP in the subject line, giving your name and an email address where we can send a Zoom link. We ask participants to donate $20 by clicking the Donate button at brilliantflashfiction.com. Everyone attending the workshop will be eligible for a drawing to win one of 3 signed copies of Nancy Stohlman’s book, Going Short.

More info, as well as contests, submissions, and other awesomeness, at Brilliant Flash Fiction