Going Short turns 1 year old!

It’s been one year already! I’ll be celebrating and looking back all week and sharing some of my favorite “SHORT” memories along the way. Thank you to Ad Hoc Fiction and everyone who has been on the journey with me! Remember this book trailer??? (Below)

“A fun and eminently useful literary treasure map.”

~Kirkus Reviews  starred review

Winner of the 2021 Reader Views Award!

readers view award sticker

Finalist for the Next Generation Indie Book Awards

Finalist for the International Book Awards

Order from Ad Hoc Fiction

Order Amazon/Kindle on Amazon UK  or Amazon USA 

U.K. folks: You can now order from Waterstones!

Or buy a signed copy from me here

“In Going Short, Nancy Stohlman captures the true spirit of flash fiction, those brief narratives imbued with all the urgency of life itself. An extremely practiced flash fiction writer, Stohlman is also a veteran teacher. She knows the territory and takes us on a trip from getting started to the finishing line, and everything in between. It’s hard to think of a more thoughtful, adept, and enthusiastic guide.” ~David Galef, author of Brevity: A Flash Fiction Handbook

“Nancy Stohlman has written the definitive, and appropriately concise, book on the flash fiction form. You’ll learn what flash fiction is and isn’t, tips on writing it, tips on honing, sculpting, and polishing it, along with thoughtful discussions on the flash novel and tips for pulling together a flash collection. As a widely-published master of the form herself, Stohlman brings years of teaching experience and her own engaging voice and wit to this useful, encouraging, and entertaining guide. A must-have for flash writers of all levels.” ~Kathy Fish, author of Wild Life: Collected Works 2003-2018

“Going Short embraces the urgency and compression of flash in presenting specific, fresh suggestions for creating, drafting, revising, editing, and publishing both individual pieces and full collections. It’s a book that knows and teaches by doing. It is inspiring and insightful, a masterful craft book written by a master of the craft.” ~Randall Brown, author of This Is How He Learned to Love

“This book is an invitation to flash dance with Nancy Stohlman, an accomplished partner who will show you the steps you can take, the fluid moves you can make on the flash fiction studio floor.  It is all about practice. She will spin you around and show you things you didn’t know you could do, and lead you to a kind of prose performance you didn’t think possible.” ~James Thomas, co-editor of the Norton Flash Fiction books

Order Going Short Now!

Writing Remix Podcast: Nancy Stohlman, Flash Fiction, and Going Short

In Episode 54, we talk to writer Nancy Stohlman about her award-winning book Going Short: An Invitation to Flash Fiction, the power of flash fiction as a fully realized genre, and how to write and teach flash fiction.  

Find Going Short here!

This episode was recorded on March 15, 2021. Because we recorded via Zoom, there may be occasional audio hiccups. Our theme song is “4 am” by Makaih Beats. You can subscribe to the podcast on Apple PodcastsSpotify, and Stitcher and follow us on Twitter @WritingRemixPod

LISTEN HERE

Quotes from the Episode:

“What I really discovered, and was such a relief for me, was not every story is 60,000 words, and if you push it to try to make it cross that finish line so that you can call it a novel, then have you sold out your own idea, perhaps?” @nancystohlmanTweet

“It was so liberating for me to have permission to let my story decide how long it needed to be and not [let] conventions decide.” @nancystohlmanTweet

“Flash fiction is like when you’re at the airport and you are sitting next to somebody and they’re gonna get on a flight in 20 minutes and you’re gonna get on a flight in 20 minutes and you end up having this amazing conversation for 20 minutes. And then they go their way, and you go your way, and you never see them again. Is there anything less profound and wonderful about that 20 minute conversation versus if I was that person’s friend since childhood and knew every little thing about them?” @nancystohlmanTweet

 “This is the kernel. This is the heartbeat here. And I can give it to you in this little flash fiction piece.” @nancystohlmanTweet

“Sometimes you want to go on the whole journey. But sometimes you just want to see the heart beating and just look at it and just realize how powerful that is.” @nancystohlmanTweet

“Poetry and flash fiction, they share brevity, but they also share complexity, and they share a lot of depth. A lot goes on in these tiny little spaces.” @nancystohlmanTweet

“Flash fiction is not just a little knock-knock joke on your way to work. It’s like a whole thing that’s going to be ringing in your head for the rest of the day.” @nancystohlmanTweet

“That’s one of the things I really love about the constraint of flash fiction […] You’re playing with the form. You’re pushing against it. It’s like air inside of a balloon.” @nancystohlmanTweet

“Knowing what the edges are in any form allows me to kind of create a shape that I may not have created if I just had all the room in the world.” @nancystohlmanTweet

“Are you writing what you think other people want, or are you writing what’s really in your heart screaming to get out?” @nancystohlmanTweet

“When you start listening to your own work and seeing yourself as being in service of the story–the midwife of the story–you’re not the creator. You’re the midwife, and it’s coming through you. So get out of the way, and it will tell you when it’s done. I think if that’s where we can position ourselves as writers, I think the best work will come through that way.” @nancystohlmanTweet

“So many of the lessons that I have in the book Going Short come from years and years and years of creating context for [my] workshops.” @nancystohlmanTweet

“I think that most writers or artists in general, just kind of feed off that novelty where everything is unfamiliar and I’m suddenly actually present in my body paying attention to the world in a way that I’m not when everything is familiar…I think that’s really what I love about being a writer who travels–is just forcing myself to slow down and actually not be sure of anything and notice everything.” @nancystohlmanTweet

“I think it’s important to remember too that our creativity [is] seasonal.” @nancystohlmanTweet

“Around 2010 or so, I was like all right, well, there isn’t this book [about how to write flash fiction], and there needs to be this book, so I guess I should write this book.” @nancystohlmanTweet

“Women have helped create [flash fiction] just as much as the men.” @nancystohlmanTweet

“Learning how to finish a book is just as important as learning how to begin a book, but we don’t practice that enough.” @nancystohlmanTweet

The Green-Eyed Monster: Jealousy in the Time of Quarantine: Nancy Stohlman guests on Jane Friedman

Read full article on Jane Friedman.com

An excerpt:

One good thing about a year’s worth of quarantine? A lot less FOMO. We’re less afraid of missing out because everyone is missing out. We aren’t worried about being left off the guest list because there is no guest list. And for many of us who were trying to be everything to everyone, this has been a huge relief.

But…now that our attention and focus has been narrowed even more tightly to the screen, we might be noticing a different kind of FOMO creeping up. We’re maybe noticing there are other writers doing a lot during quarantine: publishing or producing with a seemingly endless supply of creative juice, while the project you were working on was cancelled, or postponed, or just feels irrelevant now in this plague world. Maybe all your writer friends seem inspired and you’re stuck. And you feel that nasty green-eyed monster putting his hand on his hips again.

I’m going to go out on a limb and suggest that, despite our very best efforts, artistic jealousy affects us all at one time or another. If you’ve never felt the green monster, then you’re a better person than me. Mind you, I genuinely like my colleagues and I want them all to succeed. Most days I subscribe to the “we all win when we all win” mentality, and I truly believe it’s the only way to have a long, rewarding artistic life.

But… no matter who you are, there is probably somebody out there who is kicking more butt than you, and it seems to be happening effortlessly.

What to do about it???

KEEP READING HERE

Going Short wins a Reader Views Award!

While I am obviously THRILLED–I truly believe this award also belongs to all of you. THANK YOU for supporting this quirky little book.

And most importantly, this is a WIN for flash fiction!

Thank you Jude Higgins and Ad Hoc Fiction! Thank you Becky LeJeune and Sandra Bond! Thank you Janice Leagra and Maiya Winter! Thank you Samantha Lien!

It takes a village. I love you all. xoxo