*New! Sculpting Flash Fiction

SCULPTING FLASH FICTION

An online workshop January 4-24

Editing is the most important part of the writing process. As serious writers, you know it’s through the editing process that we begin to refine and sculpt our messages. But just as writing flash fiction requires a
bonsaidifferent set of skills, so too does editing flash fiction. In this workshop we will use the tools of ambiguity and implication; we will learn the different between chipping and chopping; we will learn how to shrink-wrap your text, and most of all learn how to achieve the specific needs of flash fiction as I guide you and other participants to edit your real works in progress.

This will be a 3-week online workshop format class with limited availability. Each participant will have the opportunity to submit 1-2 stories per week.

Tuition: $109

Workshop runs January 4-24

Ask A Flash Fiction Editor: Erasure

Ask a Flash Fiction Editor: Endings

Ask a Flash Fiction Editor: Why Literary Bondage is Good for Your Writing

I’ve been a freelance editor since 2004 as well as co-founder and editor for Fast Forward Press from 2007-2013. I have edited four anthologies including Fast Forward: The Mix Tape, a collection of flash fiction that was a finalist for a 2011 Colorado Book Award.

nancystohlman@gmail.com or fill out the form below

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Thank you for your response. ✨

Review of The Monster Opera on Colorado Drama.com

The Monster Opera

by Bob Bows

Every year at this time, we conjure monsters of all sorts to give ourselves a good fright and an excuse to indulge ourselves in gobs of refined sugar—which often turn out to be the same thing—but rarely does anyone give these ghoulish spirits their proper dramatic due.

Erik Wilkins as Libretto Santiago and Nancy Stohlman as Ursula Leonard
Erik Wilkins as Libretto Santiago
and Nancy Stohlman as Ursula Leonard

So, what better way to exalt our resident monsters than to present them in operatic form, as is so melodramatically accomplished in this delightful mashup, with book by Nancy Stohlman and score by Nick Busheff.

Composer Nick Busheff
Composer Nick Busheff

In search of a scary plot for their next opera, Ursula Leonard (Stohlman), with the assent of her husband Hugo (Toby Smith), agree that she should go to Mexico City, where she discovers the hidden dark secret of Libretto (Erik Wilkins) and Magdelena Santiago (Marta Burton), once renowned opera singers.As the story grows inside of Ursula, so do the repercussions of the Santiagos’ sinister doings, until we arrive at a suitably horrific dilemma.

Marta Burton as Magdelena Santiago and Jonathan Montgomery as The Critic
Marta Burton as Magdelena Santiago
and Jonathan Montgomery as The Critic

Stohlman’s narrative and dialogue deftly dances away from pinpointing the source and nature of the evil running through the story, leaving that to our imaginations. Busheff’s score is a masterwork of haunting tunes and unnerving atmospherics that amplify the unfolding horrors. Wilkins’ and Burton’s operatic riffs are compelling and, in Burton’s case, intentionally hilarious.The Monster Opera will return next Halloween.

Bob Bows

– See more at: http://coloradodrama.com/monster_opera.html#sthash.gT1ZwVyP.dpuf