Writing Remix Podcast Episode 101: Listening to the Body Wisdom in Writing with Nancy Stohlman

Dan and I went to graduate school together at the Jack Kerouac School for Disembodied Poetics (I try and say that name whenever possible!) many moons ago, and I’m so proud of all he’s been doing with this Podcast. We first recorded in 2020 during the pandemic when Going Short was first released–and last year we reconnected to talk about how the book–and the new audiobook–had been making friends out in the world. Have a listen–we had so much fun chatting xo

PLAY EP.101 NOW! 101. Growing Flash Fiction w/ Nancy Stohlman
Dan invites Nancy Stohlman back on Writing Remix to discuss recording the audiobook for her award-winning book Going Short: An Invitation to Flash Fiction, the growing genre of Flash Fiction, the importance of building a creative community to recover from burnout, doing promotion for her book during COVID-19 quarantine in 2022, and so much more.

This episode was recorded on April 20th, 2022.

Read and download the full transcript of this episode at writingremix.com.Nancy Stohlman is the author of six books including After the Rapture (2023), Madam Velvet’s Cabaret of Oddities (2018), The Vixen Scream and Other Bible Stories (2014), The Monster Opera (2013), Searching for Suzi: a flash novel (2009), and Going Short: An Invitation to Flash Fiction (2020), winner of the 2021 Reader Views Gold Award and re-released in 2022 as an audiobook. Her work has been anthologized widely, appearing in the Norton anthology New Micro: Exceptionally Short Fiction and The Best Small Fictions 2019, as well as adapted for both stage and screen. She teaches at the University of Colorado Boulder and holds workshops and retreats around the world. Find out more at http://www.nancystohlman.com📝

A Note From Dan
“You know, we can study a text on the page. We can reverse engineer it. We can break it open. We can mimic it. We can do all these things, but I think listening to it through the ear just kind of brings in a whole other host of body wisdom.”
-Nancy Stohlman


The body is an abundance of scars, memories, and wisdom. We store this knowledge in plain sight of the public, sometimes. We hide them from being exposed. We even share these things with people closest to us in the middle of the afternoon, when it feels right to turn the rest of the world off and all that matters is to bare it all. 

Wisdom is the body. It’s ephemeral. It’s infinite. It’s language. It’s creation. 

When I write, I pull from the wisdom stored in my body. I journey along trying to locate where I’ve filed away the ideas I need to finish a sentence or complete an thought on a podcast, or even a long simile for a poem. 

Nancy Stohlman remixes what the interconnected relationship between the page and audio. She considers the role of the body, the energy a piece of writing had when it was written, and the transformation of its energy in the immediate moment of reading it out loud.

Our body is a filtration system. Our breath mixes together syllables and words with our personal rhythms, much of which is hard to replicate in a written sentence, because our patterns change with time. 

Nancy talks about recording the audiobook as creating a new text for a particular audience of auditory learners, “I think that’s really what the audio books do, in some ways it’s cross pollinating a whole other form and bringing in a whole different sort of reader” (Stohlman). The audiobook has it’s own nuances and complexities. Because the body is so much more part of the process, it’s strenuous in a way writing isn’t, and accepting this provides the body-wisdom needed to successfully create an audiobook.

She discusses about the mind, body, and spirit prep she had to go through, what sort of strategies were told to her to protect and use her voice correctly, how the recording process went, and what it was like to revisit her book after so much time had passed since its publication. 

As a podcaster, this episode was a huge learning experience, because I take my actual voice for granted. I can’t tell you the amount of times I’ve lost my voice to the point where I couldn’t even whisper. As a writer, I never think of my bodily voice I’m always talking about writing voice. Yet, so much of my scholarship is audio and done with my voice and I take for granted being able to engage in day-to-day conversations. I burn my voice out. 

I know I need to dedicate myself to body wisdom, to listening to my body when it’s tired, to know it’s okay to rest, and to physically strengthen my body. At the same time, I know I must collect the wisdom hidden in my body, that wisdom I pushed aside for mind wisdom, disembodying myself from a lineage of knowledge, and ultimately cutting myself off from my spirit. 

There’s so much in this episode! I hope you get as much out of it as I did. Please email me your thoughts on body wisdom, or about anything you heard in this episode to writingremixpodcast@gmail.com and I’ll share it on a future episode! Make sure to Leave a 5-star rating and a review wherever you’re listening, and please follow and share the podcast. 

Episode 101 Reflective Questions
This week’s Reflective Questions ask us to consider the value of Body Wisdom.Make a list of all the places on and in your body you hold and/or hide wisdom.
 Take 15-minutes to write about the how you experience body wisdom. This can be a question of what it might feel like to tap into that body wisdom, or what it feels like to search for it, or maybe what it feels like to create new body wisdom. 
 Write about a time where you listened to your body wisdom’s intuition. Why did you listen? How did that feel? What was the outcome?
Share your writing with me at writingremixpodcast@gmail.com, or post your thoughts on Instagram and tag the podcast @WritingRemixPod, and I’d love to read them on the next episode! 



Quotes From Episode 101:

“I think that’s really what the audio books do, in some ways it’s cross pollinating a whole other form and bringing in a whole different sort of reader.” 
-Nancy Stohlman

“You know, we can study a text on the page. We can reverse engineer it. We can break it open. We can mimic it. We can do all these things, but I think listening to it through the ear just kind of brings in a whole other host of body wisdom.” 
-Nancy Stohlman

“So often, creative people create these artifacts, these great products, and then they freeze when it comes to, ‘how do I find the people that I wanted to talk to about this,’ and it all goes under this umbrella of promotion [and] self promotion. Yet, I think of it more as how do I find the people that I’m trying to serve? You know, how do I find the people that need what I’ve got? Because I made it for them. And if they don’t know that I have it, then neither one of us is winning here.” 
-Nancy Stohlman

“I really wanted to, as you say, honor and validate the people who’ve been building the genre [of flash fiction] and speak to new people who are like, what is flash fiction” 
-Nancy Stohlman

“Often I think when people are burned out, what they’ll do is they’ll take a class, right? […]  But I can tell you as a person who offers many classes, there’s always some people who sign up and they never show up to the class. And I know that this is not because they’re forgetful. It’s because they’re burned out. They don’t really need me to give them homework, right? They don’t really need more exercises. What they need is to play [and] delight.” 
-Nancy Stohlman

Order Going Short: An Invitation to Flash Fiction NOW!

Flash fiction is changing the way we tell stories. Carving away the excess, eliminating all but the most essential, flash fiction is putting the story through a literary dehydrator, leaving the meat without the fat. And it only looks easy.

Enter Going Short: An Invitation to Flash Fiction. In this, her treatise on the form, veteran writer Nancy Stohlman takes us on a flash fiction journey: from creating, sculpting, revisioning and collecting stories to best practices for writers in any genre. It is both instructive and conversational, witty and practical, and presented in flash fiction chapters that demonstrate the form as they discuss it. If you’re already a flash fiction lover, this book will be a dose of inspiration. If you teach flash fiction, you’ll want it as part of your repertoire. And if you’re new to the form, you might just find yourself ready to begin

Follow the link for more information! Order After the Rapture NOW!After the Rapture is a flash fiction hybrid book written at the intersection between flash fiction and the novel. A leader and innovator of the form, Stohlman fragments the long form narrative into the distilled intensity of micro and compressed fiction while still maintaining a larger story arc. 

Follow the link for more information!

Writing Remix Podcast: Nancy Stohlman, Flash Fiction, and Going Short

In Episode 54, we talk to writer Nancy Stohlman about her award-winning book Going Short: An Invitation to Flash Fiction, the power of flash fiction as a fully realized genre, and how to write and teach flash fiction.  

Find Going Short here!

This episode was recorded on March 15, 2021. Because we recorded via Zoom, there may be occasional audio hiccups. Our theme song is “4 am” by Makaih Beats. You can subscribe to the podcast on Apple PodcastsSpotify, and Stitcher and follow us on Twitter @WritingRemixPod

LISTEN HERE

Quotes from the Episode:

“What I really discovered, and was such a relief for me, was not every story is 60,000 words, and if you push it to try to make it cross that finish line so that you can call it a novel, then have you sold out your own idea, perhaps?” @nancystohlmanTweet

“It was so liberating for me to have permission to let my story decide how long it needed to be and not [let] conventions decide.” @nancystohlmanTweet

“Flash fiction is like when you’re at the airport and you are sitting next to somebody and they’re gonna get on a flight in 20 minutes and you’re gonna get on a flight in 20 minutes and you end up having this amazing conversation for 20 minutes. And then they go their way, and you go your way, and you never see them again. Is there anything less profound and wonderful about that 20 minute conversation versus if I was that person’s friend since childhood and knew every little thing about them?” @nancystohlmanTweet

 “This is the kernel. This is the heartbeat here. And I can give it to you in this little flash fiction piece.” @nancystohlmanTweet

“Sometimes you want to go on the whole journey. But sometimes you just want to see the heart beating and just look at it and just realize how powerful that is.” @nancystohlmanTweet

“Poetry and flash fiction, they share brevity, but they also share complexity, and they share a lot of depth. A lot goes on in these tiny little spaces.” @nancystohlmanTweet

“Flash fiction is not just a little knock-knock joke on your way to work. It’s like a whole thing that’s going to be ringing in your head for the rest of the day.” @nancystohlmanTweet

“That’s one of the things I really love about the constraint of flash fiction […] You’re playing with the form. You’re pushing against it. It’s like air inside of a balloon.” @nancystohlmanTweet

“Knowing what the edges are in any form allows me to kind of create a shape that I may not have created if I just had all the room in the world.” @nancystohlmanTweet

“Are you writing what you think other people want, or are you writing what’s really in your heart screaming to get out?” @nancystohlmanTweet

“When you start listening to your own work and seeing yourself as being in service of the story–the midwife of the story–you’re not the creator. You’re the midwife, and it’s coming through you. So get out of the way, and it will tell you when it’s done. I think if that’s where we can position ourselves as writers, I think the best work will come through that way.” @nancystohlmanTweet

“So many of the lessons that I have in the book Going Short come from years and years and years of creating context for [my] workshops.” @nancystohlmanTweet

“I think that most writers or artists in general, just kind of feed off that novelty where everything is unfamiliar and I’m suddenly actually present in my body paying attention to the world in a way that I’m not when everything is familiar…I think that’s really what I love about being a writer who travels–is just forcing myself to slow down and actually not be sure of anything and notice everything.” @nancystohlmanTweet

“I think it’s important to remember too that our creativity [is] seasonal.” @nancystohlmanTweet

“Around 2010 or so, I was like all right, well, there isn’t this book [about how to write flash fiction], and there needs to be this book, so I guess I should write this book.” @nancystohlmanTweet

“Women have helped create [flash fiction] just as much as the men.” @nancystohlmanTweet

“Learning how to finish a book is just as important as learning how to begin a book, but we don’t practice that enough.” @nancystohlmanTweet