AWP Panel on Flash Fiction this Friday

Friday, February 10, 1:30-2:45

F202. From Flash Fiction to Microfiction: How Many Words Are Enough?. (,  ,  ,  ,  ) The introduction to Flash Fiction asks: How short can a story be and still be a short story? The answer was 750 words, but recently we have seen microfiction of 300 and 200 words, and the emergence of the 100-word story. How can such compression address character development, narrative arc, and tension? Does prose poetry show us indirectly how to accommodate narrative size? These panelists discuss the limitations and rewards of writing short with urgency and artistic integrity.
Come say hi!

Congratulations FlashNanoers!

Congratulations! You made it through November! How many stories did you write that you wouldn’t have normally written?? That’s a win!!

Make sure to play again next year, and check out my Sculpting Flash Fiction class in January if you want to tackle and edit some of these stories!


November is FLASH-NANO!

Flash fiction’s answer to National Novel Writing Month: 30 Stories in 30 Days

It’s November again! This will be the 4th year running for
Flash-Nano: flash fiction’s answer to National Novel Writing Month.
Your mission, should you choose to accept:
30 stories in 30 days.

I offer daily prompts for those who like them but you can use them or not. This is really just between you and your god.

It doesn’t matter how you get there–just get there.

Now go sharpen your pencils!

Follow here to get daily prompts or

join us on the Facebook Event Page


FlashNano Day 5

Day 5: Write a story that takes place on a train

Follow all FlashNano prompts here

The Biggest Mistake Writers Make With Their Manuscripts…

The Biggest Mistake Most Writers Make With Their Manuscripts…

writerNot knowing what stage of the manuscript-writing process you are in!

And consequently, not understanding what stage of the process you are in leads to some crucial mistakes which can slow down or even keep a manuscript from ever being finished.

There are several stages to creating a book-length work, whether it is a novel, a collection of poetry or stories, a memoir—and knowing which stage you are in is crucial.

So what are the stages?

Newborn Infant Phase—this is when your ideas are new and fragile and you are engaged in lots of creative play, trying out new stuff, following hunches, stopping and starting and starting again. And it’s the worst time in the world to get feedback. But unfortunately that’s what lots of authors do: rather than protecting these infant ideas until they have more strength and can withstand critique, we are often just so proud of the fact that we are writing a manuscript at all that we want everyone to know it! And that need for validation can crush baby manuscripts, because a first draft is, well, a first draft, and it has a lot of growing to do before it will be ready for the world. But we still thrust our naked babies into the world, wanting praise or validation, and we rarely get it at this phase. Because, let’s face it—it’s not ready yet. And when we don’t get the praise we were hoping for…we become plagued with self doubt.

Don’t show your manuscript until it is strong enough to withstand the world!! Protect it at this stage like you would a real baby because it’s just as fragile.

Awkward Puberty Phase—this is right about the time when your manuscript has some legs under it, when you have a lump of clay that can withstand some real shaping. And mark my words: this puberty stage is no less transformative than growing hair between your legs—this is when your manuscript really discovers itself, when your manuscript is about to figure out who the hell he or she is.

The biggest mistake writers make in this phase? Skipping it! That’s right—we will finish a draft, and then we will get an editor or someone who is “good in English” to make sure it’s “correct”, and then we will think we’re done! We confuse revision with proofreading, so if someone combs through the manuscript and says all the commas are correct, the author believes the manuscript is ready for publication. They skip—or try to skip—puberty all together, even though puberty is where the manuscript actually reaches maturity and finds its specialness. And this is where I see writers get the most impatient—I have already written the book, I have already had someone proofread it—what else is there?

The answer to the “what else” is as nuanced as writers and books, but remember this: the what else IS the book. If you do not allow your book to evolve through this maturation process, you stunt its potential as an artifact in the world. The book must steep in your imagination, the words you have written must become puzzles, you must be willing to revision—and revision, and re-vision. Re. Vision. To see it again, as if it were new.

This is actually my favorite part, this evolving relationship with the words you have already written. But you have to be willing to embrace this phase—if you are clinging desperately to your first draft, terrified to change anything of significance because you might never be able to write it better—you will never create the book you are truly meant to create.

This is also the best time to bring in others whose voices you trust and who have your best success at heart.

Grown Adult Living In the Basement Phase—this is when the manuscript is truly finished—it has gone through its puberty, and it’s been scrubbed and polished…but you are still sitting on it like a mother hen. Maybe you are picking at it because you’re afraid of the next step. Maybe you are still soliciting feedback every time you change a sentence. It has now over gestated, late in the womb, done. Sometimes we pick at our manuscripts because we are afraid to start a new one, or we don’t feel a new one coming. Perhaps it’s a way to avoid publication or having to face the daunting wall of rejection. Perhaps it’s a perfectionist piece of us that is afraid to let it go. But let it go we must.

Maybe we let it go and it is published and that is fantastic. Maybe we let it go and it is not. But it does reach a point but we have no choice (and we can actually even ruin our work if we stay there too long). But mostly what it does is it robs us of our growth, because we have learned all we can from this manuscript, and we will have an impossible time taking our next steps as writers if we don’t ever leave the comfortable mother’s basement of what is known. So whether we decide to put it in the world or not, we must still choose to move forward and allow a manuscript to be complete.

Know that whatever phase you are in now–the vulnerable infant, the impatient puberty, the grown manuscript—is the perfect place to be with your manuscript. But first you must recognize where you really are, not where you think you are or where you wish you were, and give your manuscript what it truly needs from you now.

To your success!


(If you would like information about my upcoming Finish That Manuscript workshop, email me at or get more info about all Summer Workshops Here.)

FREE workshop preview call on Thursday, May 29t

Join The Facebook event here.

Two Micro Fictions by Nancy Stohlman


“How much are you getting paid to do this?” he asks.

“Enough to pay off my student loans,” I answer, as he begins to tattoo the Coca-Cola logo across my face.

Published in Blink Ink



True Tales From Therapy #5

Though there was absolutely no correlation between seeing a new therapist, and that therapist killing himself with a shotgun the following week, Mr. G couldn’t help wonder, for just a fleeting second, if his wife’s claim that everyone was sick of listening to him whine about his problems had some validity.

Published in Right Hand Pointing

Art Installation: Exhibit #2558

by Nancy Stohlman

You Twisted My Spite Into Sculpture—1997
United States

Mixed media: garbage bags, plaster of Paris, broken jewelry, straws, boyfriend

On permanent loan from the artist

Artist Statement: Mask making has always held a special place in my work. I believe there is an inherent fear of asphyxiation present in the creative relationship. This piece began as a mask but I soon realized a simple mask no longer was able to encompass the plight of current society—today’s citizen wants love but feels trapped. My work explores the implications of falsifying our true nature. The piece is really about transforming everyday negativity into art.

The crowd clustered around the sculpture, the crude plaster, the bits of broken jewelry cemented into the patina. The figure stood almost defiantly, two straws poking from the nostrils and the only movement, a sort of desperate darting of the eyeballs.

Originally published as part of the Exquisite Duet series–the first line “You twisted my spite into sculpture” was provided to the authors. Read original here.


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