We are approaching November, so you know what that means!
If you’re getting this email, then you have FlashNanoed at least once (and probably many times) in the last 14 years—can you believe it’s been that long?
Which means you are also the first to hear that this will be the Last FlashNano—at least in its current configuration.
SO: If you intend to play along this year, you must add your name here. Even if you have been automatically re-enrolled in the past, you must re-enroll (free, of course), as I am starting a separate list for this final year.
Why is this the Last FlashNano?
Well…all good things must come to an end.
When FlashNano started in 2012, it was the first of its kind. No one was using the online space in this way. Inspired by the NaNoWriMo challenge, FlashNano was the first 30-day flash fiction prompt challenge–and thousands of people have said yes over the last 14 years.
But alas: where FlashNano once was a new vision that filled a community void, today the online space has a plethora of similar challenge (some even calling themselves FlashNano!). As they say, imitation is the best form of flattery, and I feel confident that there will be no shortage of flash (and other!) prompt challenges in years to come.
But, as an artist and an innovator—I am interested in looking ahead to what is next.
Since 2012, I’ve written over 500 FlashNano prompts!—and we’ve welcomed over 100 guest prompts! What a ride! What an absolute joy it has been. I’ve watched FlashNano stories born on Wednesday become my favorite stories ever on Thursday. I’ve watched many many stories and dozens of books born into the world from the community we create each November. And I’ve gotten to know and reconnect with many of you, year after year.
Of course, when one thing comes to completion, another is born. I look forward to growing, visioning, and innovating with this community for many years to come.
But for 2025? Let’s make this a Final FlashNano to remember!
We’ll go back to where it all started: you, me, and a whole lot of flash fiction this November. And at the end of the month, I will tell you how you can keep working with me.
Dear Friend, Making art while the world is on fire is a true act of resistance. And this is no ordinary writing retreat.
Ask yourself these important questions: · How are you tending your creative relationship, which is always a collaboration with the muse? · How are you tending to the creative vessel (yourself) so your antenna is tuned to the right frequency? · How are you listening to the work? Are you allowing it to transform and guide you, or are you resisting?
When we go on retreat, we embark on a journey of listening, collaborating, and building trust with our stories and each other. We will loosen any old habits or belief systems about ourselves and our writing that might be holding us back, and we will courageously write into the mystery: willing to be remade, willing to stay open hearted–and most importantly, willing to take our proper and humble position—as the artistic conduit entrusted to each glorious birth.
Whether you’ve published many books, or you are just returning to writing after a long absence, the special creative container we create while on retreat supports each writer in reaching their next milestone, from starting or finishing their projects to leveling themselves up in their creative life. Each retreat gathering feels like family, and each participant is welcomed, supported, inspired, and encouraged to take creative risks in a safe space.
February 1-7, 2026, we will be returning to Tulili, just outside of Tulum, Mexico, in the heart of the Mayan Jungle: one of our new favorite venues. Think blue butterflies, soft jungle rains, and food almost too pretty to eat! (Limited to 12 people) MEXICO INFORMATION PAGE
April 1-10, 2026, we will be having our first-time-ever creative pilgrimage into the Himalayan Mountains for a 10-day retreat and very special international collaboration. This retreat will include two days of sightseeing (including a trip to the Taj Mahal), and all registration requests will go directly through the Himalayan Writing Retreat website. (Limited to 10 people) INDIA INFORMATION PAGE
If this sounds like what you need, and you know in your heart that it’s time, then I invite you tojoin me and a small cohort of your colleagues in 2026 for a breakthrough experience of inspiration, creation, motivation and transformation and an unforgettable journey into your most important creative relationship—the one you craft with yourself. As always, it is my honor to write, grow, and retreat with you. xoox Nancy
Are you working on a book? Do you want to abandon it? Maybe you HAVE abandoned it? Do you want to know the #1 reason why people abandon their books?
I’ve been working with writers and their books since 2004…so I’ve seen some pretty consistent patterns over the years (and I see them in myself, too).
It’s not lack of time or the day job or any of those very real logistics–because we all know if something is really important we will find a way to make it happen.
It’s not lack of talent or lack of good ideas (although we could have a whole conversation about having too many ideas for one book).
It’s not lack of discipline or follow-through.
There’s always a perfectly good reason we’re avoiding something, including:
Reason #2: the material is still too raw,
or its opposite, Reason #3: the material no longer holds an emotional charge (we’ve moved through it),
or even Reason #4: you thing you’re working on multiple stories (spoiler: it’s usually the same story).
No. The #1 Reason people abandon their books is because they know too much.
Picture this: you’ve spent hours, days, or weeks brainstorming and outlining this story in your head. Maybe you’ve even made an actual outline: color-coded, story-boarded, Scrivnified. And it works: this happens, then this, etc.
It’s perfect. On paper.
So what happens? You start writing, the Muse descends, she tries to take over (which is a good thing!), but since her direction doesn’t line up with the beautiful outline you’ve spend so much time creating, you resist.
The problem: you “spent” all your creative juice on the outline! Now you find yourself in a standoff with the Muse, who is trying to ignite the idea, but you are way too attached to the outline, to how it’s supposed to go. So you block the Muse, she abandons ship, and you are left to write what now feels like a shell of an idea .
But then you find yourself resisting the process of actually doing it. Why? Because you know too much. There’s no room for the manuscript to surprise you, no questions built into the itinerary, no opportunity for the Muse to come in and take over.
And so you start avoiding it, beating yourself up, taking more classes, giving yourself an ulcer, etc..
The most important thing when making art, but especially when engaged in the long-term relationship of a book, is to cultivate a healthy sense of curiosity and release control of how you think it’s supposed to go.
Releasing control–even throwing out your beautiful outline–requires you to not only trust the book, but to also enjoy the process of not knowing, to delight in the mystery of your story unfolding in real time.
When you show up to the page with genuine wonder and awe–it comes across to the reader. Conversely, when it’s all planned out and you feel like you’re just punching a time clock–that comes across, too. The reader isn’t as easily fooled as we think.
We must inhabit the emotional landscapes of the book; we must be surprised, afraid, angry, and delighted alongside our reader. This also puts you in your right and proper position as a writer: in service to the work, not the genuis. In collaboration with the muse, not the boss of her. A chosen and grateful midwife to the creative process.
I talk a lot about this “proper position” in my teachings–-and it can be easy to forget when we are trying so hard to “figure it out” with our brains.
So, how about you? Are you alligator wresting with your manuscript? Are you blocking the muse?
Or are you listening to the story with a healthy does of humility, wonder and awe?
I started The 12-week Flash Novel Mastermind in 2021 to deal with exactly these issues (and more), and over the last 4 years, it’s been an honor and a privilege to get a front row seat to the creative process of an amazing group of writers and friends. And it’s working: books that started in the Mastermind are being finished, solicited and published.
Whether your book is a flash novel, novella, memoir or creative nonfiction, if you are a dedicated writer, drawing on the skills of flash fiction, this is the container of inspiration, motivation, community and support you have been wanting to bring your ideas to fruition.
**NOTE: We will officially begin on March 3, but new members are welcome to join the Community Zoom call this Friday, February 28, at 11:30 am MST.
I am capping the mastermind to keep the space intimate–which means we have just 6 spots left.
The journey of a book can and should surprise us: Flash novels decide to become traditional novels, novels become short stories, realism becomes surrealism, flashes become scripts, and many, many other joyful pivots. This is good and normal!
I hope you saw my message to creatives last week, because it goes for you, too: We need you to be making art, especially now. Whatever it looks like.
And we all need support. Especially now.
Get the support you need to make the art we need.
Reach out!
I’m happy to answer questions or jump on a zoom call if necessary.
In solidarity,
Nancy xo
P.S. When the Mastermind reaches capacity, I will also open up a few more coaching spots.
Love Your Book: 10 Days to Launch, Develop, and Gain Momentum on your Flash Novel, Novella, or Memoir February 10-21
You have a book inside you. It could be your first book or your seventh. It could be a novella-in-flash, a linked collection, a flash memoir, a flash novel or another sort of hybrid form. You love the short prose form, but you’re ready to think bigger–a book, but using the tools of the micro form.
When a story speaks to us–when it chooses us–we must listen.
Maybe you’ve already started. Maybe it’s still in your head. Either way, you suspect an untraditional book, using an untraditional structure, might need some unconventional methods. And you are right!
I call this the “flash book” in Going Short, and it is my personal sweet spot; I find the most fulfillment when I’m embracing both the narrow focus of the pieces themselves–the “bricks” of the story—as well as the long-term relationship of building a bigger structure with those bricks. I’ve written four flash novels as well as a linked collection, and since 2015, I’ve been leading groups of writers through the ups and downs of the book-writing process–from the giddy flush of a beginning all the way to the powerful, resonate ending.
Does this speak to you? If so, join me for a 10-day generative exploration and writing adventure, a “flash flood” with your book or book idea, and gain clarity, momentum, and enthusiasm on both your vision and your next creative steps.
Give yourself the (Valentine’s Day!) gift of 10 days this February to play, experiment, and understand your story more fully, so that you can do the necessary work of bringing it to life!
Questions? Feel free to drop me a line. I’d love to work with you and your book!
xo Nancy
P.S. This 10-day, asychronous workshop is also designed to lead into the full Flash Novel Mastermind, opening in March, for those who are ready to keep going. Want to do both? Drop me a line!
SPECIAL OFFER UNTIL FEBRUARY 1:
Save $100 on BOTH Love Your Book AND the Mastermind together!
Whether your book is fiction or creative non-fiction, if you are a dedicated writer, drawing on the skills of flash fiction, this is the long-term container of inspiration, motivation, community and support you have been wanting,
Nancy Stohlman 