*This is a brand new workshop designed for the Bending Genres Weekend Workshop series (and it will also be the last online workshop I will be running until the end of the year). Join us for a wild weekend of writing and absurdity!
Opening the Back Door: Absurdism as a Way to Truth
While realism in fiction has its place, some truths can be clumsy when faced head-on. When you cannot take the front door into your material because it’s too raw, painful, blunt or overdone—then you must find the back door. Absurdism (and the surreal) is that back door, a less obvious way into the material where The Big Truth can be revealed. Deceptively silly, absurdism can create faster pathways to emotional resonance by keeping the audience off guard, unprepared, and more receptive. Sometimes the old ways just don’t work. Sometimes we must speak in new tongues. In this workshop, we will examine how, by going into the absurd, we can and often do arrive at an unexpectedly more poignant truth(s).
Find out more and register on Bending Genres website!
First, a confession: I’m a slow reader. It’s a curse because I know I’ll never finish all the amazing books out there (I even wrote a story, “What Happened in the Library”, where the narrator hired a reading clone). I’ve had to accept that I can only finish 1 or 2 books a month while other friends (you know who you are!) get through a book or two every week.
Seeing this as a weakness, my life was changed forever when I read and photocopied for posterity an article titled “The Intentional Reader” by Bob Hostetler in Poets and Writers back in 2000. The original is no longer available but here are two excerpts that together capture the essence of what I read back then: The Intentional Reader and Do You Plan Your Reading?
Marilyn Monroe reading James Joyce’s Ulysses
In the article, Hostetler encourages writers to intentionally read out of our comfort zones. This “intentional reading” is a potent way of keeping ourselves “schooled” and challenging our minds…and that will ultimately improve us as writers (and human beings). Too often we habitually reach for a certain style of book (because we like it!) or we read what was recommended/loaned by a friend (and if you are like me books by friends–woohoo!). While there is nothing wrong with reading spontaneously, it can keep us from challenging ourselves as readers because those books are never at the top of our list/bedside pile. And sadly, without a clear action plan to purposely challenge ourselves as readers and approach different/more intimidating texts…it usually doesn’t happen. Not because we don’t have good intentions to read this or that book or author or more about that topic…but because time and reading have a way of slipping away from us. Marilyn Monroe reading James Joyce’s Ulysses
So… the Intentional Reading Syllabus is an action plan, a way to take charge of our own continuing education.
For many years I created my reading syllabus as part of my New Year’s Resolution (and that works great!), but it works equally as well at the start of a new school cycle. As teachers and professors are putting together their syllabuses and outcomes for their students, it’s a natural time for writers to do the same, setting clear reading goals for yourself so you always know what to read next as well as why you are reading it.
Inspired by Hostetler’s original list, and refined over the last 20 years, here’s my modified Reading Syllabus Template (feel free to steal it!)
· 3 books by authors I’ve never read before
· 2 classics
· 2 rereads
· 1 new book by a favorite author
· 2 books on writing
· 2 nonfiction books on topics I know nothing about
· 1 book of poetry
· 1 memoir
· 1 biography
· 1 children/YA book
· 1 play
· 1 book in translation
· 1 mule choker (Hostetler’s term: i.e. a book over 700 pages)
That’s 18 books. Add to that various other books that come up during the year and that’s about all I can handle.
What I’ve found after doing this practice for almost two decades is that even if I don’t get to everything on my list, having the list at all keeps me focused, consciously choosing to read away from what is familiar or comfortable and into what is not.
So, as the new school year approaches, consider making your own Reading Syllabus for the year. Then print it out and hang it above your desk or work area.
Because, if you’re like me, you get crazy satisfaction from checking things off a list.
Do you have a large, book-length idea that you’ve been wanting to bring to fruition? Do you love the intensity of FlashNano or NaNoWriMo? Then get ready: In 10 days we will create a literal “flash flood” and you will leave the workshop with the bones (at least) of a flash novel.
What’s a flash novel? With the scope and complexity of a novel, and the size and ingenuity of flash fiction, the flash novel is a new type of book, a breakout genre that can deliver a sophisticated reading experience in a compact space. In this workshop will envision, draft, collage and create the momentum for that large-scale idea you have been wanting to tackle.
Christopher Allen and Helen Rye of Smokelong Quarterly picking me up in the Flash Cab on location at the Flash Fiction Festival in Bristol, UK. “The Bad Thing” was first published by Connotation Press and will be re-published in the Best Small Fictions 2019 Anthology out later this year.