Writing Remix Podcast Episode 101: Listening to the Body Wisdom in Writing with Nancy Stohlman

Dan and I went to graduate school together at the Jack Kerouac School for Disembodied Poetics (I try and say that name whenever possible!) many moons ago, and I’m so proud of all he’s been doing with this Podcast. We first recorded in 2020 during the pandemic when Going Short was first released–and last year we reconnected to talk about how the book–and the new audiobook–had been making friends out in the world. Have a listen–we had so much fun chatting xo

PLAY EP.101 NOW! 101. Growing Flash Fiction w/ Nancy Stohlman
Dan invites Nancy Stohlman back on Writing Remix to discuss recording the audiobook for her award-winning book Going Short: An Invitation to Flash Fiction, the growing genre of Flash Fiction, the importance of building a creative community to recover from burnout, doing promotion for her book during COVID-19 quarantine in 2022, and so much more.

This episode was recorded on April 20th, 2022.

Read and download the full transcript of this episode at writingremix.com.Nancy Stohlman is the author of six books including After the Rapture (2023), Madam Velvet’s Cabaret of Oddities (2018), The Vixen Scream and Other Bible Stories (2014), The Monster Opera (2013), Searching for Suzi: a flash novel (2009), and Going Short: An Invitation to Flash Fiction (2020), winner of the 2021 Reader Views Gold Award and re-released in 2022 as an audiobook. Her work has been anthologized widely, appearing in the Norton anthology New Micro: Exceptionally Short Fiction and The Best Small Fictions 2019, as well as adapted for both stage and screen. She teaches at the University of Colorado Boulder and holds workshops and retreats around the world. Find out more at http://www.nancystohlman.com📝

A Note From Dan
“You know, we can study a text on the page. We can reverse engineer it. We can break it open. We can mimic it. We can do all these things, but I think listening to it through the ear just kind of brings in a whole other host of body wisdom.”
-Nancy Stohlman


The body is an abundance of scars, memories, and wisdom. We store this knowledge in plain sight of the public, sometimes. We hide them from being exposed. We even share these things with people closest to us in the middle of the afternoon, when it feels right to turn the rest of the world off and all that matters is to bare it all. 

Wisdom is the body. It’s ephemeral. It’s infinite. It’s language. It’s creation. 

When I write, I pull from the wisdom stored in my body. I journey along trying to locate where I’ve filed away the ideas I need to finish a sentence or complete an thought on a podcast, or even a long simile for a poem. 

Nancy Stohlman remixes what the interconnected relationship between the page and audio. She considers the role of the body, the energy a piece of writing had when it was written, and the transformation of its energy in the immediate moment of reading it out loud.

Our body is a filtration system. Our breath mixes together syllables and words with our personal rhythms, much of which is hard to replicate in a written sentence, because our patterns change with time. 

Nancy talks about recording the audiobook as creating a new text for a particular audience of auditory learners, “I think that’s really what the audio books do, in some ways it’s cross pollinating a whole other form and bringing in a whole different sort of reader” (Stohlman). The audiobook has it’s own nuances and complexities. Because the body is so much more part of the process, it’s strenuous in a way writing isn’t, and accepting this provides the body-wisdom needed to successfully create an audiobook.

She discusses about the mind, body, and spirit prep she had to go through, what sort of strategies were told to her to protect and use her voice correctly, how the recording process went, and what it was like to revisit her book after so much time had passed since its publication. 

As a podcaster, this episode was a huge learning experience, because I take my actual voice for granted. I can’t tell you the amount of times I’ve lost my voice to the point where I couldn’t even whisper. As a writer, I never think of my bodily voice I’m always talking about writing voice. Yet, so much of my scholarship is audio and done with my voice and I take for granted being able to engage in day-to-day conversations. I burn my voice out. 

I know I need to dedicate myself to body wisdom, to listening to my body when it’s tired, to know it’s okay to rest, and to physically strengthen my body. At the same time, I know I must collect the wisdom hidden in my body, that wisdom I pushed aside for mind wisdom, disembodying myself from a lineage of knowledge, and ultimately cutting myself off from my spirit. 

There’s so much in this episode! I hope you get as much out of it as I did. Please email me your thoughts on body wisdom, or about anything you heard in this episode to writingremixpodcast@gmail.com and I’ll share it on a future episode! Make sure to Leave a 5-star rating and a review wherever you’re listening, and please follow and share the podcast. 

Episode 101 Reflective Questions
This week’s Reflective Questions ask us to consider the value of Body Wisdom.Make a list of all the places on and in your body you hold and/or hide wisdom.
 Take 15-minutes to write about the how you experience body wisdom. This can be a question of what it might feel like to tap into that body wisdom, or what it feels like to search for it, or maybe what it feels like to create new body wisdom. 
 Write about a time where you listened to your body wisdom’s intuition. Why did you listen? How did that feel? What was the outcome?
Share your writing with me at writingremixpodcast@gmail.com, or post your thoughts on Instagram and tag the podcast @WritingRemixPod, and I’d love to read them on the next episode! 



Quotes From Episode 101:

“I think that’s really what the audio books do, in some ways it’s cross pollinating a whole other form and bringing in a whole different sort of reader.” 
-Nancy Stohlman

“You know, we can study a text on the page. We can reverse engineer it. We can break it open. We can mimic it. We can do all these things, but I think listening to it through the ear just kind of brings in a whole other host of body wisdom.” 
-Nancy Stohlman

“So often, creative people create these artifacts, these great products, and then they freeze when it comes to, ‘how do I find the people that I wanted to talk to about this,’ and it all goes under this umbrella of promotion [and] self promotion. Yet, I think of it more as how do I find the people that I’m trying to serve? You know, how do I find the people that need what I’ve got? Because I made it for them. And if they don’t know that I have it, then neither one of us is winning here.” 
-Nancy Stohlman

“I really wanted to, as you say, honor and validate the people who’ve been building the genre [of flash fiction] and speak to new people who are like, what is flash fiction” 
-Nancy Stohlman

“Often I think when people are burned out, what they’ll do is they’ll take a class, right? […]  But I can tell you as a person who offers many classes, there’s always some people who sign up and they never show up to the class. And I know that this is not because they’re forgetful. It’s because they’re burned out. They don’t really need me to give them homework, right? They don’t really need more exercises. What they need is to play [and] delight.” 
-Nancy Stohlman

Order Going Short: An Invitation to Flash Fiction NOW!

Flash fiction is changing the way we tell stories. Carving away the excess, eliminating all but the most essential, flash fiction is putting the story through a literary dehydrator, leaving the meat without the fat. And it only looks easy.

Enter Going Short: An Invitation to Flash Fiction. In this, her treatise on the form, veteran writer Nancy Stohlman takes us on a flash fiction journey: from creating, sculpting, revisioning and collecting stories to best practices for writers in any genre. It is both instructive and conversational, witty and practical, and presented in flash fiction chapters that demonstrate the form as they discuss it. If you’re already a flash fiction lover, this book will be a dose of inspiration. If you teach flash fiction, you’ll want it as part of your repertoire. And if you’re new to the form, you might just find yourself ready to begin

Follow the link for more information! Order After the Rapture NOW!After the Rapture is a flash fiction hybrid book written at the intersection between flash fiction and the novel. A leader and innovator of the form, Stohlman fragments the long form narrative into the distilled intensity of micro and compressed fiction while still maintaining a larger story arc. 

Follow the link for more information!

LIVE this Thursday, June 22-Paris Lit Up! Featuring Nancy Stohlman on writing, rejection, staying curious, and The Rapture

The PLU Open Mic has been welcoming performers every Thursday since 2012, and takes place at the historic Culture Rapide bar, in the 20th arrondissement of Paris.

Sign-up opens at 8pm, we aim to start for 8.30/9pm.
We welcome all languages, all levels of experience and all artistic genres: from beginners to legends, poetry to performance art.

Culture Rapide, 103 Rue Julien Lacroix, 75020, PARIS.

FYI
The line 11 will be closed after 10pm on Thursdays until September 2023. The PLU weekly Open Mic Night at 8:30pm at Culture Rapide will continue! Take bus 47 to Republique or line 2 to Nation.

See you soon!

Facebook: Click here

Instagram:  Click here

Paris Lit Up Interviews Nancy Stohlman

Who are you and who do you write for?

Hey friends! I’m Nancy Stohlman, writer, flash fiction aficionado, performer, professor, community organizer and sometimes pirate. I’m a huge fan of the surreal and the absurd, and for many years I’ve been writing at the intersection between flash fiction and the novel. After the Rapture, my new flash novel, is the culmination of that curiosity. 

I was a featured guest at Paris Lit Up in 2018 (you might remember I read carnival-themed stories accompanied by Nick Busheff on a toy piano!), so I am thrilled to be returning.

When did you first know you wanted to be a writer?

I have a very distinct memory: I was 10 years old, sitting in the bleachers at my brother’s soccer game when I told my mother I was going to be an author when I grew up. I used the word author. After my first few years of voracious reading, I had just realized that someone must have the job of writing all these books! I knew it had to be me.

What advice would you give to aspiring writers?

Honestly, I love Bukowski’s advice: if it doesn’t come bursting out of you in spite of everything… don’t do it. Like any relationship, the creative relationship will break your heart wide open, and it will fill you in ways you couldn’t be filled otherwise, but only if you surrender. Surrender to the stories (poems, plays, etc.) that want to be written. Surrender to your own unique process, which may look very different from other people’s journeys. Step into the arena with the muse but bring your long-term vision: you are embarking on a life-long relationship that will inevitably go up and down and all around but will absolutely transform you.

How do you react to criticism of your work?

When I was a younger writer, I used to eat banana splits every time I got a rejection, which was my fun way to “anti” celebrate the harsh reality of putting yourself out there. But actual nuanced criticism? It depends. It’s so important to be in the right frame of mind, receiving it from someone you trust or who at least understands what you are trying to do with your work (as opposed to what THEY would do). Not all criticism is equal or even valid. It’s easy to get into people-pleasing mode when it comes to feedback, so there is a very discerning dance that must occur. I try to pay attention to two specific reactions: the instant yes and the instant no. The instant yes is when a piece of feedback really “hits” and you feel the yes. The instant no is the one that triggers you. Both of those tend to hold heat for me and deserve a space of further contemplation.

A lot of young writers think critique should be painful; they let me know they can ”handle it” or just give it to me and then they brace themselves like a linebacker. I think critique can also be gentle and inspirational and enlivening. It can be like your best friend telling you an important truth. It can be like a brainstorming session that leaves you excited. So I attempt to put critique, both the giving and receiving, in that frame of mind.

And when it’s not, I recommend banana splits.

What do you miss most about the pre-pandemic world?

The innocence. The price of eggs. Hugs without hesitation. How the word “pandemic” used to sound like science fiction. Writing satire that would never come true. That moment when we all went silent and played balcony concerts for each other.

How has your work developed over the last 12 months?

I spent a good deal of 2022 working closely with Mason Jar Press to polish After the Rapture (which, by the way, I wrote pre-pandemic). Which meant I had to practice what I preach (see: critiques above) and learn about myself and my work through the eyes of others I trust. It’s a gift, really.

I also declared 2021 to be The Year of the Student, meaning I was going to actively say yes to opportunities to be a student again. That went over so well that it continued through 2022, and now for the first time in 15 years I am meeting regularly with a writing group again.

In general, I notice my writing is becoming less absurd and comical and more surreal and abstract, playing in a gamut that reaches from Pop Lit all the way to abstract expressionism. My heart has always wanted to get more experimental, so this is an exciting time for me. You can see the beginnings of that shift happening already in After the Rapture, especially the ending.

What does the future look like to you? 

In my dream scenario I’m living close to the ocean, speaking Spanish, writing my best work ever, in crazy love, and having many adventures—including my group writing retreats in France, Colorado, Iceland, and Costa Rica. I might even shave my head (again). I’m going to have a big birthday this year (gulp!), so it feels like I’m about to start a new phase of my life, the phase where I might finally have all my shit together while I’m still young enough to enjoy it.

What importance has other people’s art had for you and your creative process?

Other people’s art is why I get up in the morning: Those I’ve met and those I haven’t. And I enjoy engaging with all mediums of art as writing inspiration. I can watch an orchestra performance and puzzle out the sticky ending to a story. I can spend time alone at a museum and find characters in paint strokes. I can wander a strange city and find words in unfamiliar architecture. I adore graffiti. Honestly, I feel lucky to be an artistic person because I am/we are oriented to see beauty–not just the “beautiful” beauty, but the sacrilegious, the tragic, the sordid. Maybe we need a better word than “beauty” to speak about these profound experiences of engaging with the world.

Have you looked at different ways of expressing yourself or taken on a new medium?

Always. I consider myself an amateur in many artistic arenas, and over the years I’ve gotten to be: a lounge singer, an actress, a fashion model, a photographer, an activist; I’ve written and performed an avant-garde operetta, designed and produced short films, music videos, book trailers. I’ve written a few songs. I’m learning how to make Cajun food. Honestly every time I cross something off my list, I add five more things.

KEEP READING ON THE PARIS LIT UP WEBSITE

Upcoming Live Appearances for “After the Rapture” including AWP March 8-12, 2023

Friends!! I’m hoping to be able to give you a REAL HUG at one of these upcoming After the Rapture appearances! Thank you in advance for all your support! xoxoxo

AWP: Thursday, March 9, 6-8 pm Split Lip and Mason Jar Press Reading, AWP Edition, featuring Athena Dixon, Tucker Leighty-Phillips, Melissa Matthewson, Mary Lyn Reed, Nancy Stohlman, and Zach VandeZande

6-8 pm, Ozzie’s, 105 W. Mercer Street, Seattle,

AWP: Friday, March 10: Book Signing @ Bending Genres Table Friday, Friday 11 am-12 pm

AWP: Saturday, March 11: Book Signing @Split Lip Table AWP Saturday 12-1 pm

March 25: Arapahoe Community College Lit Fest presenter

March 30: In-person reading/signing at The Bookworm, Omaha NE

April 7: (Virtual) Fbomb NYC, 6 pm EST featuring Nancy Stohlman with guests Paul Beckman, Meg Tuite, Robert Vaughan, Len Kuntz, Kona Morris, Jonathan Montgomery, Rob Geisen, and Kathy Fish

April 17: (Virtual): Shorter is Better: April Book Club Guest

Posing with my old student Shin Huynh!

May 18: (Virtual) Hundred Pitchers of Honey Reading Series with Courtney LeBlanc, Yael Aldana, Nancy Stohlman. 7:30 PM EST time.

June 1: In person: Rally Reading Series Pete’s Candy Store, NYC. Full lineup TBA 

June 19: In person: Featured Reader, Spoken Word Paris. Full lineup TBA

June 22: In person: Featured Reader, Paris Lit Up. Full lineup TBA

July 14-16 Reader and Workshop Leader, Flash Fiction Festival in Bristol, UK

August 15-20: Open Your Art: High Altitude Inspiration in the Rocky Mountains Writing Retreat (www.flashfictionretreats.com)