Writer’s Digest Virtual Short Story Conference May 17-19

I’m thrilled to be teaching again at the Writer’s Digest Conference! I’ll be teaching a 1-hour workshop called: Dropping the Mic: How to End a Short Story with both Style and Heart on Saturday, May 18, at 5 pm MST. The entire weekend will be a blast.

Full conference details and registration:

SESSION 4: Drop the Mic: How to Write Effective Endings for Short Fiction

INSTRUCTOR: Nancy Stohlman

Time: 5:00 p.m. ET

Many writers, even those who begin beautifully, struggle with endings. Yet, we all know a brilliant ending when we read one. A brilliant ending compels you to say whoa. Then reread. And say whoa again. It can be poignant, messed up, surprising, gorgeous, tragic. But it should punch you in the gut or the heart–and it should leave a mark. It should echo off the page and haunt you all day long. In this class we’ll play with several strategies to rethink and uplevel your endings. You’ve already come this far–you’ve written the breathtaking opening, the humming middle… now it’s time to land the ending. And drop the mic.

Saturday, May 21: Virtual Workshop at the Writer’s Digest Short Story Conference

I’m excited to be presenting for the second year in a row at the Writer’s Digest Short Story Conference. This year I’ll be talking about one of my favorite ways to write flash fiction: using the power of implication to manipulate found forms. Come for the whole weekend (and some replays are available for conference participants).

This will be one of my few virtual workshops until the fall: I’d love to “see” you! xo N

From the website: Writer’s Digest is pleased to present an exclusive virtual conference for short story writers! On May 20-22, our 2nd Annual Short Story Writing Virtual Conference will provide expert insights from SEVEN award-winning and best-selling authors on the finer points of how to write a short story. Spend the weekend learning techniques for honing your craft skills, marketing your short fiction, editing, and getting the tools you need to advance your career as a writer from seven different published authors*, then (if you choose) submit up to 500 words of a short story to an editor for critique.

All details and full lineup:

May 20 – May 22, 2022, Short Story Virtual Conference

Nancy Stohlman: Literary Squatters: Using Found Forms to Write Fresh Flash Fiction

Time: 3:00 p.m. ET Saturday, May 21

See you there!

“The Wacky, Weird, and Wonderful”–Zoom workshop fundraiser for Brilliant Flash Fiction

Virtual FUNDRAISING WORKSHOP WITH NANCY STOHLMAN

Saturday, JUNE 12, NOON MDT (Denver, CO, time)

Everyone attending the workshop will be eligible for a drawing to win one of 3 signed copies of Nancy Stohlman’s book, Going Short.

About the workshop:

“The Wacky, Weird, and Wonderful: Dazzling Narratives and Experimental Flash Fictions”

The constraints of flash fiction have ironically created a new sort of genre freedom, and flash fiction writers are embracing contortions that wouldn’t work in other forms: a motley circus of tightrope walkers and jugglers and trapeze artists plunging against their boundaries and defying narrative in breathtaking ways. In this one-hour workshop we’ll examine, discuss, and take bold risks with experimental narratives, attempting the kinds of literary acrobatics and daredevil antics that emerge when plots are forced to bend in small spaces.  

acrobats balance on Empire State Building, 1934

From Brilliant Flash Fiction: If you want to attend this workshop, please email bffnonprofit@gmail.com with WORKSHOP in the subject line, giving your name and an email address where we can send a Zoom link. We ask participants to donate $20 by clicking the Donate button at brilliantflashfiction.com. Everyone attending the workshop will be eligible for a drawing to win one of 3 signed copies of Nancy Stohlman’s book, Going Short.

More info, as well as contests, submissions, and other awesomeness, at Brilliant Flash Fiction

*New! Sculpting Flash Fiction

SCULPTING FLASH FICTION

An online workshop January 4-24

Editing is the most important part of the writing process. As serious writers, you know it’s through the editing process that we begin to refine and sculpt our messages. But just as writing flash fiction requires a
bonsaidifferent set of skills, so too does editing flash fiction. In this workshop we will use the tools of ambiguity and implication; we will learn the different between chipping and chopping; we will learn how to shrink-wrap your text, and most of all learn how to achieve the specific needs of flash fiction as I guide you and other participants to edit your real works in progress.

This will be a 3-week online workshop format class with limited availability. Each participant will have the opportunity to submit 1-2 stories per week.

Tuition: $109

Workshop runs January 4-24

Ask A Flash Fiction Editor: Erasure

Ask a Flash Fiction Editor: Endings

Ask a Flash Fiction Editor: Why Literary Bondage is Good for Your Writing

I’ve been a freelance editor since 2004 as well as co-founder and editor for Fast Forward Press from 2007-2013. I have edited four anthologies including Fast Forward: The Mix Tape, a collection of flash fiction that was a finalist for a 2011 Colorado Book Award.

nancystohlman@gmail.com or fill out the form below

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