Flash Fiction editor Tommy Dean interviews Nancy Stohlman in CRAFT Literary Magazine

CRAFT’s flash fiction section editor Tommy Dean chats with Nancy Stohlman-Author about MADAM VELVET’S CABARET OF ODDITIES, flash fiction, craft, and more:

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EXCERPT

Tommy Dean: What was your process of crafting this collection together? There’s seems to be a shift from the constant narrator around page twenty-one to twenty-two with the list of circus performers. Was this intentional? What effect were you hoping for?

Nancy Stohlman: Oh yes, very intentional. And even more so in the work I’m doing now—I teach that there are many ways of approaching a collection. One way is to look at it like a “greatest hits” album of work in an order that is rhythmic and pleasing and that is perfectly alright. But I tend to go for the “concept album” approach instead, allowing the juxtapostions of story against story to create another layer of white space and give birth to a second layer of story. It’s my favorite part these days.

Read more:

https://www.craftliterary.com/2019/05/28/interview-nancy-stohlman/

Two summer flash fiction workshops!

Flash fiction workshops from beginner to advanced!

For more info and Earlybird Discounts CLICK HERE

WRITING FLASH FICTION

June 13-July 3

So you want to write flash fiction? Flash adorable_tiny_things_640_23fiction is redefining how we tell stories, and by embracing this compressed form, all writers–from poets to novelists to nonfiction writers–are cultivating a new set of skills and creating an entirely new kind of story.

In this workshop we will generate original flash pieces, examine what makes successful flash fiction, and try to differentiate flash from its cousins, the prose poem and the vignette.

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SCULPTING FLASH FICTION

July 11-July 31

Editing is the most important part of the writing process. As serious writers, you know it’s through the editing process that we begin to refine and sculpt our messages. But just as writing flash fiction requires a
bonsaidifferent set of skills, so does editing flash fiction.

In this workshop we will use the tools of ambiguity and implication; we will learn the different between chipping and chopping; we will learn how to shrink-wrap text, and most of all learn how to achieve the specific needs of flash fiction as I guide you and other participants to edit your real works in progress.

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