Two summer flash fiction workshops!

Flash fiction workshops from beginner to advanced!

For more info and Earlybird Discounts CLICK HERE

WRITING FLASH FICTION

June 13-July 3

So you want to write flash fiction? Flash adorable_tiny_things_640_23fiction is redefining how we tell stories, and by embracing this compressed form, all writers–from poets to novelists to nonfiction writers–are cultivating a new set of skills and creating an entirely new kind of story.

In this workshop we will generate original flash pieces, examine what makes successful flash fiction, and try to differentiate flash from its cousins, the prose poem and the vignette.

LEARN MORE

 

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SCULPTING FLASH FICTION

July 11-July 31

Editing is the most important part of the writing process. As serious writers, you know it’s through the editing process that we begin to refine and sculpt our messages. But just as writing flash fiction requires a
bonsaidifferent set of skills, so does editing flash fiction.

In this workshop we will use the tools of ambiguity and implication; we will learn the different between chipping and chopping; we will learn how to shrink-wrap text, and most of all learn how to achieve the specific needs of flash fiction as I guide you and other participants to edit your real works in progress.

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Writing Flash Fiction–Online Workshop Begins August 10

What would happen if you could double your publishing opportunities? Double your confidence? Double your writing skills and abilities?

Well, Flash Fiction is the new black and journals are hungry for fresh voices. Learn what makes successful flash–just because it’s small doesn’t make it easy–and get your work into the world in a bigger way!

Flash Fiction is a literary movement—freeing literature and turning it upside down. Flash writers are embracing a new kind of story–and it’s spreading. It’s abstract to pop art, it’s jazz to rock and roll. And it’s about time!

Join us for a 4-week online flash fiction workshop beginning August 10. The format will include weekly online instruction, plenty of editorial feedback, group-led discussions, as well as once-a week conference calls in a virtual classroom–the best of all technology and the chance to work with writers all over the world!

Limited spaces available–discounts and payment plans available for a limited time! See “Summer Writing Program”

Contact me for more information or to register at nancystohlman@gmail.com

FREE preview call Sunday, August 10 at 7 pm MST–contact me to register.

Join Facebook Event
https://www.facebook.
com/events/616231968457460/

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Nancy Stohlman’s books include the forthcoming flash fiction collection The Vixen Scream and Other Bible Stories (forthcoming 2014), the flash novels The Monster Opera (2013) and Searching for Suzi: a flash novel (2009), and three anthologies of flash including Fast Forward: The Mix Tape (2010), which was a finalist for a 2011 Colorado Book Award. She is a founding member of Fast Forward Press, the creator of The F-Bomb Flash Fiction Reading Series in Denver, and her work has been included in The Best of the Web.

Two Micro Fictions by Nancy Stohlman

indexIndentured

“How much are you getting paid to do this?” he asks.

“Enough to pay off my student loans,” I answer, as he begins to tattoo the Coca-Cola logo across my face.

Published in Blink Ink

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True Tales From Therapy #5

Though there was absolutely no correlation between seeing a new therapist, and that therapist killing himself with a shotgun the following week, Mr. G couldn’t help wonder, for just a fleeting second, if his wife’s claim that everyone was sick of listening to him whine about his problems had some validity.

Published in Right Hand Pointing

Art Installation: Exhibit #2558

by Nancy Stohlman

You Twisted My Spite Into Sculpture—1997
United States

Mixed media: garbage bags, plaster of Paris, broken jewelry, straws, boyfriend

On permanent loan from the artist

Artist Statement: Mask making has always held a special place in my work. I believe there is an inherent fear of asphyxiation present in the creative relationship. This piece began as a mask but I soon realized a simple mask no longer was able to encompass the plight of current society—today’s citizen wants love but feels trapped. My work explores the implications of falsifying our true nature. The piece is really about transforming everyday negativity into art.

The crowd clustered around the sculpture, the crude plaster, the bits of broken jewelry cemented into the patina. The figure stood almost defiantly, two straws poking from the nostrils and the only movement, a sort of desperate darting of the eyeballs.

Originally published as part of the Exquisite Duet series–the first line “You twisted my spite into sculpture” was provided to the authors. Read original here.

sculpture